“A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and immediately it becomes earthbound. Set down one sentence and its halfway to being just like every other bloody book that's ever been written. But the best must never be allowed to drive out the good. In the absence of genius there is always craftsmanship. One can at least try to write something that will arrest the readers' attention, that will encourage them, after reading the first paragraph, to take a look at the second, and then the third.”

“Beginning a book is unpleasant. I’m entirely uncertain about the character and the predicament, and a character in his predicament is what I have to begin with. Worse than not knowing your subject is not knowing how to treat it, because that’s finally everything. I type out beginnings and they’re awful, more of an unconscious parody of my previous book than the breakaway from it that I want. I need something driving down the center of a book, a magnet to draw everything to it—that’s what I look for during the first months of writing something new. I often have to write a hundred pages or more before there’s a paragraph that’s alive. Okay, I say to myself, that’s your beginning, start there; that’s the first paragraph of the book. I’ll go over the first six months of work and underline in red a paragraph, a sentence, sometimes no more than a phrase, that has some life in it, and then I’ll type all these out on one page. Usually it doesn’t come to more than one page, but if I’m lucky, that’s the start of page one. I look for the liveliness to set the tone. After the awful beginning come the months of freewheeling play, and after the play come the crises, turning against your material and hating the book.”

“Yet with every allowance, one feels it difficult to see how any mortal ever could consider this Koran as a Book written in Heaven, too good for the Earth; as a well-written book, or indeed as a book at all; and not a bewildered rhapsody; written, so far as writing goes, as badly as almost any book ever was!”

“A scholar is like a book written in a dead language — it is not every one that can read in it.”

“Writing a book is so strange. You start off in one spot and end up in another. But I think when I first set out to write the book, there was a certain element of trying to right historical wrongs I saw as a voracious reader and representation of immigrants and children of immigrants…”

“I go to the typical state school and try to infiltrate it. Yes!... One can do something in the institutions in trying to infiltrate them, and outside one can do something to set a model in place... One must work with divers methods anyway. One must always carry on with what is possible.”

“Take a book, the poorest one written, but read it with the passion that it is the only book you will read-ultimately you will read everything out of it, that is, as much as there was in yourself, and you could never get more out of reading, even if you read the best of books.”

“The reason a writer writes a book is to forget a book and the reason a reader reads one is to remember it.”

“No one wants to read poetry. You have to make it impossible for them to put the poem down--impossible for them to stop reading it, word after word. You have to keep them from closing the book.”

“[T]he infinite is in capacity. That, however, which is infinite in capacity is not to be assumed as that which is infinite in energy. …[I]t has its being in capacity, and in division and diminution. …[I]t is always possible to assume something beyond it. It does not, however, on this account surpass every definite magnitude; as in division it surpasses every definite magnitude, and will be less.”