Quote, May 1924; from Tatlin's lecture on 'Material Culture and Its Role in the Production of Life in the USSR'; as quoted by Larissa A. Zhadova, ed., Tatlin, trans. Paul Filotas et al; Thames and Hudson, London, 1988, p. 252
In May 1924, right in the middle of N.E.P., Tatlin offered his synoptic statement of what was still the task of material culture
Quotes, 1910 - 1925
“The search in modem life is for utility; the endeavor is to improve existence materially. Every day, science invents new processes for the feeding, clothing, or transportation of man; she manufactures cheaply inferior products in order to give adulterated luxuries to the greatest number — though it is true that she has also made real improvements in all that ministers to our daily wants. But it is no longer a question of spirit, of thought, of dreams. Art is dead.”
Source: Art, 1912, Preface, p. 7
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Auguste Rodin 73
French sculptor 1840–1917Related quotes
1860s, Speech to Germans at Cincinnati, Ohio (1861), Commercial version
“Maybe she hadn’t saved the world but she had made a major improvement.”
Post Office (1971)
Context: I squeezed Fay’s hand, kissed her on the forehead. She closed her eyes and seemed to sleep then. She was not a young woman. Maybe she hadn’t saved the world but she had made a major improvement. Ring one up for Fay.
Source: The lever of riches: Technological creativity and economic progress, 1992, p. 12-13 as cited in: Pol, Eduardo, and Peter Carroll. "Innovation heterogeneity and schumpeterian growth models." (2004): 1.
Source: (1776), Book I, Chapter XI, Part III, (Conclusion..) p. 282.
May 15, 2000, ESCWA Team of Experts Meeting, Amman, Jordan.
"Karl Friedrich Schinkel (1781-1841)" (2006) by Margaret Odrowaz Sypniewska http://www.angelfire.com/mi4/polcrt/Schinkel.html
Context: I hope I may be allowed to remark that recent inventions and improvements enabling works of art to be duplicated faithfully, easily, and safely may properly be used to give industry a direction in which beauty is as important as utility. I cannot, as many do, regret the mechanical process that turns the artist's attention increasingly towards the intellectual element in the production of a work of art; something that no machinery can replace. Anything that a machine can imitate and duplicate perfectly is no longer in the realm of art. But as a work of art can be mechanically duplicated both faithfully and with ease, and this distributed to all classes of society, if the knowledge of that work need no longer be acquired solely in museums or in those private collections to which access is difficult, then we may hope that here and there one of the seeds thus broadcast will take root and eventually bear fruit.
Source: Imperialism, the Highest Stage of Capitalism: Full Text of 1916 Edition
As appears on plaque in the entrance to the Alexander Graham Bell Museum http://www.pc.gc.ca/lhn-nhs/ns/grahambell/index_e.asp in Baddeck, Nova Scotia, Canada.