“It’s not so much watching them but understanding how they were made – the preparation and willingness to deviate when necessary especially if you’re on a low budget, I also took every film I made seriously and did my best on every one.”

—  Roger Corman

Roger Corman still the Cult Classic King http://www.thespectrum.com/story/entertainment/2016/10/17/roger-corman-still-cult-classic-king/92296836/ (October 17, 2016)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "It’s not so much watching them but understanding how they were made – the preparation and willingness to deviate when n…" by Roger Corman?
Roger Corman photo
Roger Corman 2
American film director and film producer 1926

Related quotes

“I helped my father who was a house painter and decorative painter. He made stage sets, he made glass paintings, he made everything. I was in the workshop and watched him. So as a child so-called art was not my view. That was, in my opinion, my father's job. But I liked to watch him; he comes, as my mother also, from a very craftsman's background. My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theater and all such nonsense, you know. On my mother's side there was much more heavy craft. They were blacksmiths. They made a specialty horse shoes and nails for them... So, as a child, my main fun was to watch others working. I loved to walk to the neighboring carpenter's place and up to the neighboring shoemaker in my home town.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Zooey Deschanel photo

“I would watch Wizard of Oz, like every day, when I was two. I had a hard time understanding that I couldn't go into the film, because it felt so real to me.”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

Statement in These Amazing Shadows (2011).

Matt Dillon photo

“I think the reason I've survived that long is because I've taken my work so seriously. Maybe sometimes too seriously, but it's always been important for me to do my best regardless of the film. I think the biggest compliment I get is when people on the street stop me and say they've liked the choices I've made.”

Matt Dillon (1964) American actor

Bobby Rockel (May 2, 1997) "Best Is Yet to Come, Says Actor Matt Dillon", The Daily Oklahoman, p. 7.

June Vincent photo

“I didn’t like what I was seeing, so I decided that was it. I never thought I was a good actress in pictures—but later I became an actress on TV. I kept every W2 for every show or film I did. I had them in a huge box which I took to SAG, dropped on their desk and asked for my pension!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Alan Moore photo

“I like a film where you can see every penny of the budget up there on the screen.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

Joe Bob Briggs photo

“I made the mistake of watching "A. I." on cable the week they showed it about 792 times, and I ended up watching it every time it was on.”

Joe Bob Briggs (1953) American film critic, writer, and actor; alter ego of John Bloom

A.I. review http://www.joebobbriggs.com/drivein/2003/AI.html

Abbas Kiarostami photo

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive: Director Patrick Lussier Talks Drive Angry DVD/Blu-ray, Hallraiser and Halloween 3 http://collider.com/patrick-lussier-drive-angry-hellraiser-halloween-3/ (May 31, 2011)

Waheeda Rehman photo

“I definitely think this is the best time to be in the industry. Earlier, films were made on a set pattern- love story, family drama, one is rich and other is poor type formulas. But today there are different kinds of films being made and accepted by the audience. I wish I was there in the industry today…I wish I was born in today's time.”

Waheeda Rehman (1938) Indian actress

Quote, Waheeda Rehman not in favour of biopics and remakes

Karl Barth photo

“The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, make straight in the desert a highway for our God. Every valley shall be exalted, and every mountain and hill shall be made low: and the crooked shall be made straight, and the rough places plain: And the glory of the Lord shall be revealed!”

Karl Barth (1886–1968) Swiss Protestant theologian

This is the voice of our conscience, telling us of the righteousness of God. And since conscience is the perfect interpreter of life, what it tells us is no question, no riddle, no problem, but a fact — the deepest, innermost, surest fact of life: God is righteous. Our only question is what attitude toward the fact we ought to take.
We shall hardly approach the fact with our critical reason. The reason sees the small and the larger but not the large. It sees the preliminary, but not the final, the derived but not the original, the complex but not the simple. It sees what is human but not what is divine.
We shall hardly be taught this fact by men.
"The Righteousness of God" (1916) in The Word of God and the Word of Man (1928) as translated by Douglas Horton; this passage begins with a quote of Isaiah 40:3-5; often quoted alone has been the phrase following it: "Conscience is the perfect interpreter of life."

Related topics