
As quoted in "Dolly Parton: Gee, She’s So Nice" https://www.rogerebert.com/interviews/dolly-parton-gee-shes-really-nice (7 December 1980), by Roger Ebert, Roger Ebert
1980s
In [Milestones: The music and times of Miles Davis since 1960, Jack, Chambers, Beech Tree Books, 1983, 9780688046460, 261]
"My ego only needs a good rhythm section" is also the title of an interview/article by Stephen Davis for The Real Paper (21 March 1973)
On being asked what he looked for in musicians.
1970s
As quoted in "Dolly Parton: Gee, She’s So Nice" https://www.rogerebert.com/interviews/dolly-parton-gee-shes-really-nice (7 December 1980), by Roger Ebert, Roger Ebert
1980s
“His rhythm is the only one I can sing my songs to.”
On Chuck Berry, http://www.washingtonpost.com/wp-srv/style/longterm/movies/videos/chuckberryhailhailrocknrollpgharrington_a0aa6d.htm
Song lyrics, Others
1970s, Tomorrow Show with Tom Snyder (1976)
Quoted in "What'd I Say?" : The Atlantic Story : 50 Years of Music (2001) by Ahmet M. Ertegun; also partially quoted in What Is This Thing Called Jazz?: African American Musicians As Artists, Critics, and Activists (2002) by Eric C. Porter, p. 118, and Freedom Is, Freedom Ain't: Jazz And the Making of the Sixties (2005) by Scott Saul, p. 154
Context: Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.
The Satanic Bible (1969)
“My ego doesn't need soothing. I don't want him soothing anything of mine, including you.”
Source: Magic Slays
“Every phrase can be a good lyric if it has the good rhythm.”
On interview with Wall Street Journal, 2015. source http://www.wsj.com/amp/articles/coldplay-and-chris-martin-open-up-for-new-album-1447868383