“Comics are essentially films with fewer frames per second.”

Laterna Magica (1987); The Magic Lantern : An Autobiography as translated by Joan Tate (1988).
Variant translation: Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.
As quoted in "Ev'ry Time We Say Goodbye" by John Berger, Sight and Sound (June 1991).

http://www.independent.co.uk/arts-entertainment/books/features/alan-moore-the-reluctant-hero-64407.html
Context: If I write a crappy comic book, it doesn't cost the budget of an emergent Third World nation. When you've got these kinds of sums involved in creating another two hours of entertainment for Western teenagers, I feel it crosses the line from being merely distasteful to being wrong. To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate — unlike most films.

Source: Stan Lee, Jack Kirby, the abandoned hero of Marvel’s grand Hollywood adventure, and his family’s quest http://herocomplex.latimes.com/uncategorized/jack-kirby-the-forgotten-hero-in-marvels-grand-hollywood-adventure/, Los Angeles Times, (September 25, 2009).

Le Petit Soldat (film) (direction and screenplay, 1960).
[variation] Cinema is truth at twenty-four frames a second.

Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

2010s, 2016, August, Speech at rally in Wilmington, North Carolina (August 9, 2016)

1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE

Source: Julian Assange, "When Google Met Wikileaks" (ORbooks, New York, 2014), pp. 66-67

Quoted in The Edmonton Journal (8 March 1999), C3