
No. 15 ("Eight O'Clock").
Last Poems http://www.gutenberg.org/dirs/etext05/8lspm10.txt (1922)
The Metamorphosis (1915)
No. 15 ("Eight O'Clock").
Last Poems http://www.gutenberg.org/dirs/etext05/8lspm10.txt (1922)
"Nathaniel Hawthorne" in Library of the World's Best Literature, vol. XII (1897), ed. Charles Dudley Warner.
Pegasus, St. 2, p. 181
The New Book of Days (1961)
Geeta Iyengar, his eldest daughter.
Yogacharya B.K.S. Iyengar passes away at 95
Source: Zen and the Art of Motorcycle Maintenance (1974), Ch. 30
Context: For three days and three nights, Phædrus stares at the wall of the bedroom, his thoughts moving neither forward nor backward, staying only at the instant. His wife asks if he is sick, and he does not answer. His wife becomes angry, but Phædrus listens without responding. He is aware of what she says but is no longer able to feel any urgency about it. Not only are his thoughts slowing down, but his desires too. And they slow and slow, as if gaining an imponderable mass. So heavy, so tired, but no sleep comes. He feels like a giant, a million miles tall. He feels himself extending into the universe with no limit.
He begins to discard things, encumbrances that he has carried with him all his life. He tells his wife to leave with the children, to consider themselves separated. Fear of loathsomeness and shame disappear when his urine flows not deliberately but naturally on the floor of the room. Fear of pain, the pain of the martyrs is overcome when cigarettes burn not deliberately but naturally down into his fingers until they are extinguished by blisters formed by their own heat. His wife sees his injured hands and the urine on the floor and calls for help.
But before help comes, slowly, imperceptibly at first, the entire consciousness of Phædrus begins to come apart — to dissolve and fade away. Then gradually he no longer wonders what will happen next. He knows what will happen next, and tears flow for his family and for himself and for this world.
Source: Gormenghast (1950), Chapter 68, section 3 (p. 737)
“Life without prejudice,” p. 12.
Life Without Prejudice (1965)
Japan, the Beautiful and Myself (1969)
Context: Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.