“(Tagore is) 'making a statement of fact, just as the remembered lines from a child’s primer (jal pare/pata nare’; rain falls/the leaf trembles) that first drew Tagore to poetry state a fact. Here, Tagore seems to be telling us that no afflatus or elaboration is necessary, because the world is at its most compelling as it is.”

— Amit Chaudhuri

Calcutta: Two Years in The City (2013)

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Amit Chaudhuri 94

contemporary Indian-English novelist 1962

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“Tagore claims that the first time he experienced the thrill of poetry was when he encountered the children’s rhyme ‘Jal pare/pata nare’ (‘Rain falls / The leaf trembles') in Iswarchandra Vidyasagar’s Bengali primer Barna Parichay (Introducing the Alphabet). There are at least two revealing things about this citation. The first is that, as Bengali scholars have remarked, Tagore’s memory, and predilection, lead him to misquote and rewrite the lines. The actual rhyme is in sadhu bhasha, or ‘high’ Bengali: ‘Jal paritechhe / pata naritechhe’ (‘Rain falleth / the leaf trembleth’). This is precisely the sort of diction that Tagore chose for the English Gitanjali, which, with its thees and thous, has so tried our patience. Yet, as a Bengali poet, Tagore’s instinct was to simplify, and to draw language closer to speech. The other reason the lines of the rhyme are noteworthy, especially with regard to Tagore, is – despite their deceptively logical progression – their non-consecutive character. ‘Rain falls’ and ‘the leaf trembles’ are two independent, stand-alone observations: they don’t necessarily have to follow each other. It’s a feature of poetry commented upon by William Empson in Some Versions of Pastoral: that it’s a genre that can get away with seamlessly joining two lines which are linked, otherwise, tenuously.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

On Tagore: Reading the Poet Today (2012)

“Just as Tagore sought to bring humanity closer through Visva-Bharati or his one-nest-world university at Santiniketan, Prasanta Chandra strove to use the ideal of humanism through statistics.”

Prasanta Chandra Mahalanobis (1893–1972) Indian scientist

Uma Dasgupta, a former professor of the Indian Statistical Institute quoted in “ P.C. Mahalanobis, Tagore shared ideals.

“Since I always like Zhuangzi and I am close to Tagore, I am greatly affected by the thought of pantheism. Hence, my works are close to works of the great philosopher of Europe Spinoza and poetry of German poet Goethe.”

Baruch Spinoza (1632–1677) Dutch philosopher

Guo Moruo, 1983. As quoted in Yuan Li (2016), Study of Comparative Poetic Thought of Guo Moruo's Goddess [original in Chinese]
G - L

“Though science makes no use for poetry, poetry is enriched by science. Poetry “takes up” the scientific vision and re-expresses its truths, but always in forms which compel us to look beyond them to the total object which is telling its own story and standing in its own rights.”

L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister

The Usurpation Of Language (1910)
Context: Though science makes no use for poetry, poetry is enriched by science. Poetry “takes up” the scientific vision and re-expresses its truths, but always in forms which compel us to look beyond them to the total object which is telling its own story and standing in its own rights. In this the poet and the philosopher are one. Using language as the lever, they lift thought above the levels where words perplex and retard its flight, and leave it, at last, standing face to face with the object which reveals itself.

“We are to remember, in the first place, that the arrangement of colours and lines is an art analogous to the composition of music, and entirely independent of the representation of facts.”

John Ruskin book The Stones of Venice

Volume II, chapter VI, section 42.
The Stones of Venice (1853)
Context: We are to remember, in the first place, that the arrangement of colours and lines is an art analogous to the composition of music, and entirely independent of the representation of facts. Good colouring does not necessarily convey the image of anything but itself. It consists of certain proportions and arrangements of rays of light, but not in likeness to anything. A few touches of certain greys and purples laid by a master's hand on white paper will be good colouring; as more touches are added beside them, we may find out that they were intended to represent a dove's neck, and we may praise, as the drawing advances, the perfect imitation of the dove's neck. But the good colouring does not consist in that imitation, but in the abstract qualities and relations of the grey and purple.

“Nothing in this world is useless in the eyes of God. Not a leaf from a tree falls, not a hair from your head, not even an insect dies because it was of no use. Everything has a reason to exist.”

Paulo Coelho book Manuscript Found in Accra

Manuscript Found in Accra (2012), Uselessness

“This world wants to be childish in order to make us believe that the adults are elsewhere, in the "real" world, and to conceal the fact that true childishness is everywhere - that it is that of the adults themselves who come here to act the child in order to foster illusions as to their real childishness.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

The Precession of Simulcra, The Hyperreal and the Imaginary
1980s, Simulacra and Simulation (1981)

“The first Bengali with a scientific insight to attack the problems of the language was the poet Rabindranath Tagore; and it is flattering for the votaries of philology, to find in one who is the greatest writer in the language, and a great poet and seer for all time, a keen philologist as well, distinguished alike by an assiduous enquiry into the facts of the language as by a scholarly appreciation of the methods and findings of the modern Western philologist. The work of Rabindranath is in the shape of a few essays (now collected in one volume) on Bengali Phonetics, Bengali Onomatopoetics, and on the Bengali noun, and on other topics, the earliest of which appeared in the early nineties, and some fresh papers appeared only several years ago. These papers may be said to have shown to the Bengali enquiring into the problems of his language the proper lines of approaching them.”

Suniti Kumar Chatterji (1890–1977) Bengali linguist

S.K. Chatterji (1926) in: S.K. Chatterji. " Visva-manah Vak-pati http://books.google.nl/books?id=9x-Peh32rw8C&pg=PA124" in: Rabindranath Tagore: A Centenary. S. Radhakrishnan eds. Sahitya Akademi. 1990. p. 124

“When poetry loses its ability to enchant, it shrinks into what is just an elaborate form of argumentation. When verse casts its particular spell, it becomes the most evocative form of language.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991), Poetry as Enchantment (2015)

“And I'm tired of living here in this hotel,Snow and the rain falling through the sheets.In fact, I'm tired of 23rd Street.Strung out like some Christmas lightsOut there in the Chelsea night.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Hotel Chelsea Nights
Love Is Hell pt. 2 (2003)

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