“In one work Marcel Duchamp meets Tracey Emin in the desert, with three camp cowboys. In another he meets Elvis and the Spice Girls.”

“It is hardly correct to speak of these meetings as ‘lectures’, although this is what Wittgenstein called them. For one thing, he was carrying on original research in these meetings. He was thinking about certain problems in a way that he could have done had he been alone. For another thing, the meetings were largely conversation.”

“Always expect trouble in the desert. Then you usually won't meet it.”

“His [Marcel Duchamp's] idea was that anything could be art by focusing the mind to think of it as art. My images are similar but at the time my work was first being shown, 1958-'59, I was unfamiliar with Duchamp and Dada. Everyone said my work was Dada, so I read on it, went to Philadelphia to see the Arensberg Duchamp collection, was delighted by it and later met him (Duchamp)... But it was all more a coincidence. Perhaps it’s that certain ideas get into the air, ideas that come out of our living and out of the environment automatically.”

“A week of camp life is worth six months of theoretical teaching in the meeting room.”

“A lovers' spat," he said. "You know how it is. Boy meets girl, girl wants boy dead. An everyday story, really.”

“We should meet in another life, we should meet in air, me and you.”

“In discussing his work [the art of Marcel Duchamp, ] it is necessary to avoid overrating his silence. I hold him in a very high esteem, but I have to reject his silence. Duchamp was simply finished. He had run out of ideas; he was unable to come up with anything important… I would say that even the bourgeois tendencies in Duchamp's work – i. e., a form of provocative, bohemian behavior intended to 'épater le bourgeois'- follow the same path. Duchamp started out from here and wanted to shock the bourgeoisie, and because of that he destroyed his creative powers… The content of Duchamp's silence refers to the aim of leaving the subconscious passive, of developing it. This is the aspect of Duchamp, which is related to Surrealism. The surrealists asserted that they could live with their subconscious; they thought they were above reality, but instead they were beneath it. They thought they could fish in muddy waters…. but to my mind, the images which emerged have a repressive effect.”

“Sienna, meet Zacharel. He's a warrior angel for the One, True Deity. Zacharel, meet Sienna. She's mine.”

“Critic, relent!
Your hope for repentance
Will meet with disappointment.
For this is the life,
Not desert tents,
Not camel's milk!”