“I was excited by the story of Yayati. This exchange of ages between the father and the son, which seemed to be terribly powerful and terribly modern. At the same time I was reading a lot of Sartre and the Existentialist. This consistent harping on responsibility which the Existentialist indulge in suddenly seemed to link up with the story of Yayati.”
This story of Yayati from the Mahabhrata generated interst in him to become a playwright and he explains this here.[Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 120]
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Girish Raghunath Karnad 8
Indian playwright 1938–2019Related quotes
“Three minutes then seemed a terribly long time limit.”
When she recorded on 78 rpm in 1959 in "Khyāl: Creativity Within North India's Classical Music" p. 193
Source: The Guernsey Literary and Potato Peel Pie Society
“I only know one story. But oftentimes small pieces seem to be stories themselves.”
Source: The Name of the Wind
Regarding the his work with the playwright Eugene O'Neill, as quoted in Paul Robeson: Artist and Citizen (1989) by Charles Musser, "The Troubled relations: Robeson, O'Neil and Micheaux", p. 94
Context: One does not need a very long racial memory to loose on oneself in such a part … As I act, civilization falls away from me. My plight becomes real, the horrors terrible facts. I feel the terror of the slave mart, the degradation of man bought and sold into slavery. Well, I am the son of an emancipated slave and the stories of old father are vivid on the tablets of my memory.
