“The first documentary I saw as a child was Robert Flaherty’s Nanook of the North (1922) broadcast one Sunday afternoon. Nanook enchanted me by his courage to smile in a frozen wasteland, and by the simple fact that he wore a fur coat rather than a military uniform: this gentle hunter wasn’t a conqueror. Later, I understood how great Flaherty was: he told a timeless story without using commentary or pedagogues, and he didn’t interview Nanook like a celebrity or an aggressive talk-show host. He remained off-screen, observing and listening to create that exceptional complicity we feel in this documentary that eschews didacticism. The emotion of life found its counterpart in the emotion of art - a rare and precious achievement in a genre that is often limited to the emotion of the informational narrative.”

— Damian Pettigrew

On documentary influences, Sundance Channel Interview (July 2004)

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Damian Pettigrew 16

Canadian filmmaker

Norman Hunter (1899–1995) author

The Incredible Adventures of Professor Branestawm, Ch 1. The Professor Invents a Machine (1933)

“And I understood that in man dwells Love! I was glad that God had already begun to show me what He had promised, and I smiled for the first time.”

Leo Tolstoy book What Men Live By

Source: What Men Live By (1881), Ch. XI
Context: Then I remembered the first lesson God had set me: "Learn what dwells in man." And I understood that in man dwells Love! I was glad that God had already begun to show me what He had promised, and I smiled for the first time.

“He saw the girl watching him and he smiled at her. It was an old smile that he had been using for fifty years, ever since he first smiled…”

Ernest Hemingway book Across the River and into the Trees

Source: Across the River and into the Trees

“.. I saw Gauguin; he told me his theories about art and assured me that the young [artists] would find salvation by replenishing themselves at remote and savage sources. I told him that this art did not belong to him, that he was a civilized man and hence it was his function to show us harmonious things. We parted, each unconvinced. Gauguin is certainly not without talent, but how difficult it is for him to find his own way! He is always poaching on someone's ground; now he is pillaging the savages of Oceania.”

Camille Pissarro (1830–1903) French painter

Quote about Paul Gauguin 23 Nov. 1893, in Racontars d'un Rapin, Paul Gauguin; as quoted by John Rewald, in 'Introduction' of Camille Pissarro - Letters to His Son Lucien, ed. John Rewald, with assistance of Lucien Pissarro – (translated from the unpublished French letters by Lionel Abel); Pantheon Books Inc. New York, second edition, 1943, p. 221
1890's