July 10-12, 1841
Journals (1838-1859)
Source: The Mermaid's Purse: poems by Ted Hughes
The Present State of Music in France and Italy (1771) pp. 152-3
Source: The Jagged Orbit (1969), Chapter 47, “Plea of Insanity” (p. 146)
Source: The Romantic Generation (1995), Ch. 1 : Music and Sound
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 13. How I had a Vision of Lineland
Context: Describing myself as a stranger I besought the King to give me some account of his dominions. But I had the greatest possible difficulty in obtaining any information on points that really interested me; for the Monarch could not refrain from constantly assuming that whatever was familiar to him must also be known to me and that I was simulating ignorance in jest. However, by persevering questions I elicited the following facts:It seemed that this poor ignorant Monarch — as he called himself — was persuaded that the Straight Line which he called his Kingdom, and in which he passed his existence, constituted the whole of the world, and indeed the whole of Space. Not being able either to move or to see, save in his Straight Line, he had no conception of anything out of it. Though he had heard my voice when I first addressed him, the sounds had come to him in a manner so contrary to his experience that he had made no answer, "seeing no man", as he expressed it, "and hearing a voice as it were from my own intestines." Until the moment when I placed my mouth in his World, he had neither seen me, nor heard anything except confused sounds beating against — what I called his side, but what he called his INSIDE or STOMACH; nor had he even now the least conception of the region from which I had come. Outside his World, or Line, all was a blank to him; nay, not even a blank, for a blank implies Space; say, rather, all was non-existent.His subjects — of whom the small Lines were men and the Points Women — were all alike confined in motion and eye-sight to that single Straight Line, which was their World. It need scarcely be added that the whole of their horizon was limited to a Point; nor could any one ever see anything but a Point. Man, woman, child, thing — each was a Point to the eye of a Linelander. Only by the sound of the voice could sex or age be distinguished. Moreover, as each individual occupied the whole of the narrow path, so to speak, which constituted his Universe, and no one could move to the right or left to make way for passers by, it followed that no Linelander could ever pass another. Once neighbours, always neighbours. Neighbourhood with them was like marriage with us. Neighbours remained neighbours till death did them part.Such a life, with all vision limited to a Point, and all motion to a Straight Line, seemed to me inexpressibly dreary; and I was surprised to note the vivacity and cheerfulness of the King.
“Tis slight, not strength, that gives the greatest lift.”
Michaelmas Term (1602), Act iv. Sc. 1. Compare: "It is not strength, but art, obtains the prize", Alexander Pope, The Iliad, book xxiii. line 383.
“Sir, my life, drab and insipid though it may seem to others, is the only life given me to live.”
Source: Lyonesse Trilogy (1983-1989), The Green Pearl (1985), Chapter 4, section 3 (p. 419)
Speech at the annual dinner of The Royal Society of St. George (6 May 1924), quoted in On England, and Other Addresses (1926), pp. 3-4.
1924
As quoted in "Koufax Still a Champion" by Les Biederman, in The Pittsburgh Press (May 8, 1967)
