
Source: 1970s and later, Cohesion in English (English Language), 1976, p. 22 cited in: Helen Leckie-Tarry (1998) Language and Context. p. 6.
quoted in "The Prospects of Recording" by Glenn Gould, The Glenn Gould reader, 1984, p. 345
1980s
Source: 1970s and later, Cohesion in English (English Language), 1976, p. 22 cited in: Helen Leckie-Tarry (1998) Language and Context. p. 6.
“If a man has character, he has also his typical experience, which always recurs.”
What is Art? (1897)
Context: The good is the everlasting, the pinnacle of our life. … life is striving towards the good, toward God. The good is the most basic idea … an idea not definable by reason … yet is the postulate from which all else follows. But the beautiful … is just that which is pleasing. The idea of beauty is not an alignment to the good, but is its opposite, because for most part, the good aids in our victory over our predilections, while beauty is the motive of our predilections. The more we succumb to beauty, the further we are displaced from the good.... the usual response is that there exists a moral and spiritual beauty … we mean simply the good. Spiritual beauty or the good, generally not only does not coincide with the typical meaning of beauty, it is its opposite.
'What can we learn from a dying poet' BMJ Supportive & Pallative Online Journal July 25 2014
Source: Fiction Sets You Free: Literature, Liberty and Western Culture (2007), p. 20.
R. H. Dalitz and F. J. Duarte, John Clive Ward, Physics Today 53, 99-100 (2000).
R. H. Dalitz and F. J. Duarte, John Clive Ward, Physics Today 53, 99-100 (2000).
Autobiographical Essay (2001)