“Art is Nature made by Man
To Man the interpreter of God.”
Robert Bulwer-Lytton, 1st Earl of Lytton (1831–1891) English statesman and poet
The Artist, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Proem
Festus (1839)
“Art is Nature made by Man
To Man the interpreter of God.”
Robert Bulwer-Lytton, 1st Earl of Lytton (1831–1891) English statesman and poet
The Artist, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“All things are artificial, for nature is the Art of God.”
Thomas Browne book Religio Medici
Section 16
Religio Medici (1643), Part I
“Sacred art helps man find his own center, that kernel whose nature is to love God.”
Frithjof Schuon (1907–1998) Swiss philosopher
[2007, Spiritual Perspectives and Human Facts, World Wisdom, 28, 978-1-933316-42-0]
Spiritual life, Sacred art
“[art] urges man to identify himself with nature.”
Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist
Source: 1940s, Abstract Art, Concrete Art (c. 1942), p. 118
“There is no nature which is inferior to art, the arts imitate the nature of things.”
Marcus Aurelius book Meditations
XI, 10
Meditations (c. 121–180 AD), Book XI
“No form of Nature is inferior to Art; for the arts merely imitate natural forms.”
Marcus Aurelius book Meditations
Meditations. xi. 10.
Bartlett's Familiar Quotations, 10th ed. (1919)
“Art may make a suit of clothes; but nature must produce a man.”
David Hume book Essays, Moral, Political, and Literary
Part I, Essay 15: The Epicurean
Essays, Moral, Political, and Literary (1741-2; 1748)
Gerhard Richter (1932) German visual artist, born 1932
undated quotes, The Daily Practice of Painting, Writings (1962-1993)
Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art
The Origins of Art (1966)
Other Quotes
Context: What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations—which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.