“My Life had stood — a Loaded Gun —
In Corners — till a Day
The Owner passed — identified —
And carried Me away —

And now We roam in Sovereign Woods —
And now We hunt the Doe —
And every time I speak for Him —
The Mountains straight reply —”

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 153.

"Representación," San Carlos, 12 November 1800, Santa Bárbara Arch., 2:174.

Source: World Made By Hand (2008), Chapter 36, p. 171

"Dead and Gone".

Jane to Mr. Rochester (Ch. 23)
Jane Eyre (1847)
Context: Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!

Variant: Each time we embrace someone warmly, we gain an extra day of life.
Source: Aleph

Page 61, 2002 (Harvest Hardcover edition)
The Cave (2000)

Vol. XI, p. 62
Posthumous publications, The Collected Works
Context: I think we must see this very clearly right at the beginning — that if one would solve the everyday problems of existence, whatever they may be, one must first see the wider issues and then come to the detail. After all, the great painter, the great poet is one who sees the whole — who sees all the heavens, the blue skies, the radiant sunset, the tree, the fleeting bird — all at one glance; with one sweep he sees the whole thing. With the artist, the poet, there is an immediate, a direct communion with this whole marvellous world of beauty. Then he begins to paint, to write, to sculpt; he works it out in detail. If you and I could do the same, then we should be able to approach our problems — however contradictory, however conflicting, however disturbing — much more liberally, more wisely, with greater depth and colour, feeling. This is not mere romantic verbalization but actually it is so, and that is what I would like to talk about now and every time we get together. We must capture the whole and not be carried away by the detail, however pressing, immediate, anxious it may be. I think that is where the revolution begins.