“I think that with the death of Schumann and Chopin—‘finis musicae'.”

—  Anton Rubinstein

Quoted in A Conversation on Music (1892)

Adopted from Wikiquote. Last update May 22, 2020. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I think that with the death of Schumann and Chopin—‘finis musicae'." by Anton Rubinstein?
Anton Rubinstein photo
Anton Rubinstein1
Russian pianist, composer and conductor 1829–1894

Related quotes

“It is typical of Schumann's musical thinking to construct this complex network of references outside his music-to quote Beethoven, and then to have Beethoven's distant beloved refer to Clara. But this should give a clue to the nature of Schumann's achievement. It is not Schumann's music that, refers to Clara but Beethoven's melody, the "secret tone."”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

Stanisław Lem photo

“The age-old faith of lovers and poets in the power of love, stronger than death, that Finis vitae sed non amoris [Life ends but not love], is a lie, useless and not even funny.”

Stanisław Lem book Solaris

Source: Solaris (1961), Ch. 14: "The Old Mimoid", p. 204

Douglas Hofstadter photo

“I am not shooting at immortality through my books, no. Nor do I think Chopin was shooting at immortality through his music. That strikes me as a very selfish goal, and I don't think Chopin was particularly selfish. I would also say that I think that music comes much closer to capturing the essence of a composer's soul than do a writer's ideas capture the writer's soul. Perhaps some very emotional ideas that I express in my books can get across a bit of the essence of my soul to some readers, but I think that Chopin's music probably does a lot better job”

Douglas Hofstadter (1945) American professor of cognitive science

and the same holds, of course, for many composers

“I do not think that any composer has ever asked for octave glissandi on the black keys, but there is a recording by Moriz Rosenthal of Chopin's Black-Key Etude in which he plays the short octave passage in both hands glissando: it hurts my hands just to think about it.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 3 The Instrument and Its Discontents

Jean Paul Sartre photo

“I think of death only with tranquility, as an end. I refuse to let death hamper life. Death must enter life only to define it.”

Jean Paul Sartre No Exit

Source: No Exit (1944)

E.E. Cummings photo

“life's not a paragraph
And death i think is no parenthesis”

E.E. Cummings (1894–1962) American poet

Four VII
is 5 (1926)

“He [Gilels] played in an easy, natural manner, with strong but unassuming musicianship. His technique was brilliant; years later Neuhaus, still astonished, was to recall Gilels's incredible octaves in Liszt's Spanish Rhapsody. Yet Gilels was never looked upon as a mere virtuoso. As a matter of fact, his programs did not often include music pour epater le bourgeois. He played a stedy diet of Beethoven (the Hammerklavier was a work that strongly engaged his last years), Schubert, Schumann, Chopin and Brahms. In many respects, the great virtuoso who put his authoritative stamp on whatever he played was, at the same time, a thinking man's pianist.”

Emil Gilels (1916–1985) Soviet pianist

Harold C. Schonberg, The Great Pianists

Ray Kurzweil photo

“I think all human beings are and should be fearful [of death, but realizing that death is a real tragedy.”

Ray Kurzweil (1948) Author, scientist, inventor, and futurist

Futurist Ray Kurweil Bring Dead Father Back to Life http://abcnews.go.com/Technology/futurist-ray-kurzweil-bring-dead-father-back-life/story?id14267712 (2011)

Sylvia Plath photo

“What I fear most, I think, is the death of the imagination.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Burkard Schliessmann photo

“Schumann’s Kreisleriana: No other cycle among Schumann’s great works so perfectly expresses the sensation of dark nocturnal things, of chaos, lurking in the background. The last piece of this collection shows this particularly well. Like skeletons on horseback, shadowy figures flit before us in a soft, sustained rhythm; in the middle section horn-calls enliven the scene with visions of knightly strength and nobility, but at the end the figures vanish ghost - like into night and mystery. Looking into the first volume of Schumann’s diaries we find ‘Midnight Piece,’ a prose passage which provides moving, indeed alarming evidence of his perilously depressive mental state. It contains elements of a highly personal kind which memorably convey the particular quality of his imagination, mortally cold and never far from visions of death. It could have served perfectly as a model for the final, disturbing piece in the Kreisleriana set.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Related topics