Session 417, Page 317
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 8
“None of us are ever equipped, for general purposes, to perceive reality in all of its forms. The pyramid gestalts can do this, and we help the pyramid gestalts perform this feat. But as a rule we must pick and choose. There is too much for any consciousness to digest except those so highly developed that even I know little of them.”
Session 297, Page 138
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 7
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Jane Roberts 288
American Writer 1929–1984Related quotes
Source: "On Gestalt Qualities," 1890, p. 93
Source: "On Gestalt Qualities," 1890, p. 16
“Some dog I got too. We call him Egypt. Because in every room he leaves a pyramid. ”
No. 43 (14 August 1750) http://etext.lib.virginia.edu/etcbin/toccer-new2?id=Joh1Ram.sgm&images=images/modeng&data=/texts/english/modeng/parsed&tag=public&part=43&division=div1
The Rambler (1750–1752)
Context: All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance: it is by this that the quarry becomes a pyramid, and that distant countries are united with canals. If a man was to compare the effect of a single stroke of the pick-axe, or of one impression of the spade, with the general design and last result, he would be overwhelmed by the sense of their disproportion; yet those petty operations, incessantly continued, in time surmount the greatest difficulties, and mountains are levelled, and oceans bounded, by the slender force of human beings.
It is therefore of the utmost importance that those, who have any intention of deviating from the beaten roads of life, and acquiring a reputation superior to names hourly swept away by time among the refuse of fame, should add to their reason, and their spirit, the power of persisting in their purposes; acquire the art of sapping what they cannot batter, and the habit of vanquishing obstinate resistance by obstinate attacks.
The Notebooks of Leonardo da Vinci (1883), II Linear Perspective