
“Many lawless mysteries vanish, and harmonies take their places.”
Source: 1900s, Our National Parks (1901), chapter 9: The Sequoia and General Grant National Parks
" The Fountains and Streams of the Yosemite National Park http://books.google.com/books?id=2CsRAAAAMAAJ&pg=PA556", The Atlantic Monthly, volume LXXXVII, number 519 (January 1901) pages 556-565 (at page 565); reprinted in Our National Parks http://www.sierraclub.org/john_muir_exhibit/writings/our_national_parks/ (1901), chapter 8: The Fountains and Streams of the Yosemite National Park
1900s, Our National Parks (1901)
“Many lawless mysteries vanish, and harmonies take their places.”
Source: 1900s, Our National Parks (1901), chapter 9: The Sequoia and General Grant National Parks
" Three Adventures in the Yosemite http://books.google.com/books?id=k8dZAAAAYAAJ&pg=P656", The Century Magazine volume LXXXIII, number 5 (March 1912) pages 656-661 (at page 661); modified slightly and reprinted in The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 4: Snow Banners
1910s
“See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.”
Life Without and Life Within (1859), The Captured Wild Horse
Context: p>On the boundless plain careering
By an unseen compass steering, Wildly flying, reappearing, —
With untamed fire their broad eyes glowing
In every step a grand pride showing,
Of no servile moment knowing, —Happy as the trees and flowers, In their instinct cradled hours,
Happier in fuller powers, —See the wild herd nobly ranging,
Nature varying, not changing,
Lawful in their lawless ranging.</p
“There is no such thing as love at first sight, Bryan. There’s only sex at first sight.”
The Many-Colored Land, chap. 9, p. 59
" Flood-Storm in the Sierra http://books.google.com/books?id=Iy0GAQAAIAAJ&pg=PA489", Overland Monthly, volume 14, number 6 (June 1875) pages 489-496 (at page 494)
1870s
Quote (1916), # 1008, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920
“Friendship at first sight, like love at first sight, is said to be the only truth.”
Cheon Il Guk is the Ideal Heavenly Kingdom of Eternal Peace http://www.unification.net/2006/20060613_1.html (2006-06-13)
The Evolution of Physics (1938) (co-written with Leopold Infeld) <!-- later published by Simon & Schuster (1967) -->
1930s
Context: Physical concepts are free creations of the human mind, and are not, however it may seem, uniquely determined by the external world. In our endeavor to understand reality we are somewhat like a man trying to understand the mechanism of a closed watch. He sees the face and the moving hands, even hears its ticking, but he has no way of opening the case. If he is ingenious he may form some picture of a mechanism which could be responsible for all the things he observes, but he may never be quite sure his picture is the only one which could explain his observations. He will never be able to compare his picture with the real mechanism and he cannot even imagine the possibility or the meaning of such a comparison. But he certainly believes that, as his knowledge increases, his picture of reality will become simpler and simpler and will explain a wider and wider range of his sensuous impressions. He may also believe in the existence of the ideal limit of knowledge and that it is approached by the human mind. He may call this ideal limit the objective truth.
1840s, Essays: First Series (1841), Self-Reliance
Context: Character teaches above our wills. Men imagine that they communicate their virtue or vice only by overt actions, and do not see that virtue or vice emit a breath every moment.
There will be an agreement in whatever variety of actions, so they be each honest and natural in their hour. For of one will, the actions will be harmonious, however unlike they seem. These varieties are lost sight of at a little distance, at a little height of thought. One tendency unites them all. The voyage of the best ship is a zigzag line of a hundred tacks. See the line from a sufficient distance, and it straightens itself to the average tendency.