“What does opening your eyes and realizing your vulnerability have to do with the knowledge of good and evil? Here's the key: You know you're vulnerable. No other animal knows that. You know what hurts you, because you're vulnerable. And now that you know what hurts you, you can figure out what hurts someone else. And as soon as you know what can hurt someone as, and you can use that, then you have the knowledge of good and evil. Well it's a pretty good trick that the snake pulled because it doesn't seem like the thing that we would have exactly wanted if we knew what the consequence was going to be. As soon as a human being is self conscious and aware of his nakedness, then he has the capacity for evil. That's introduced into the world right at that point.”

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Canadian clinical psychologist, cultural critic, and profes… 1962

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“What does opening your eyes and realizing your vulnerability have to do with the knowledge of good and evil?”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Here's the key: You know you're vulnerable. No other animal knows that. You know what hurts you, because you're vulnerable. And now that you know what hurts you, you can figure out what hurts someone else. And as soon as you know what can hurt someone as, and you can use that, then you have the knowledge of good and evil. Well it's a pretty good trick that the snake pulled because it doesn't seem like the thing that we would have exactly wanted if we knew what the consequence was going to be. As soon as a human being is self conscious and aware of his nakedness, then he has the capacity for evil. That's introduced into the world right at that point."
Concepts

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“I hurt easy, I just don't show it, you can hurt someone and not even know it”

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“Now I know how it can change, just like that. They can be applauding you one moment, and booing you the next. The thing to know is that you have done a good job, then it doesn’t hurt to be criticized.”

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Love – That’s All Cary Grant Ever Thinks About (1964)
Context: I used to hide behind the façade that was Cary Grant … I didn’t know if I were Archie Leach, or Cary Grant, and I wasn’t taking any chances. … Another thing I had to cure myself of was the desire for adulation, and the approbation of my fellow man. It started when I was a small boy and played football at school. If I did well they cheered me. If I fumbled I was booed. It became very important to me to be liked. It’s the same in the theater, the applause and the laughter give you courage and the excitement to go on. I thought it was absolutely necessary in order to be happy. Now I know how it can change, just like that. They can be applauding you one moment, and booing you the next. The thing to know is that you have done a good job, then it doesn’t hurt to be criticized. My press agent was very indignant over something written about me not too long ago. “Look,” I told him. “I’ve known this character for many years, and the faults he sees in me are really the faults in himself that he hates.”

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“You know what? When someone does that for me, it makes me feel really good. It's like you're important.”

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