“I now myself live, in every detail, striving for wisdom, while I formerly merely worshipped and idolized the wise.”

Source: A Key into the Language of America (1643), Ch. 21 "Of their Religion"
Context: I was persuaded and am, that God's way is first to turn a soul from its idols, both of heart, worship, and conversation, before it is capable of worship to the true and living God... the two first principles and foundations of true religion, or worship of the true God in Christ, are repentance from dead works, and faith towards God, before the doctrine of baptism or washing, and the laying on of hands, which contain the ordinances and practices of worship; the want of which I conceive is the bane of millions of souls in England and all other nations professing to be Christian nations, who are brought by public authority to baptism and fellowship with God in ordinances of worship, before the saving work of repentance and a true turning to God.

Letter dated February 8, 1545, to the Society of Jesus. Quoted from Goel, S. R. (1985). St. Francis Xavier: The man and his mission.

On training, as quoted in "Ali: Born Again!" by Pete Axthelm and Peter Bonventre, Newsweek (25 September 1978)

Book Four, Chapter III.
Democracy in America, Volume II (1840), Book Four

Delhi and Environs , Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. Elliot and Dowson. Vol. III, p. 380-81
Quotes from the Futuhat-i-Firuz Shahi

Reported in Will and Ariel Durant, Age of Reason Begins: Volume 7 (1961), p. 240.

Vol. XI, p. 62
Posthumous publications, The Collected Works
Context: I think we must see this very clearly right at the beginning — that if one would solve the everyday problems of existence, whatever they may be, one must first see the wider issues and then come to the detail. After all, the great painter, the great poet is one who sees the whole — who sees all the heavens, the blue skies, the radiant sunset, the tree, the fleeting bird — all at one glance; with one sweep he sees the whole thing. With the artist, the poet, there is an immediate, a direct communion with this whole marvellous world of beauty. Then he begins to paint, to write, to sculpt; he works it out in detail. If you and I could do the same, then we should be able to approach our problems — however contradictory, however conflicting, however disturbing — much more liberally, more wisely, with greater depth and colour, feeling. This is not mere romantic verbalization but actually it is so, and that is what I would like to talk about now and every time we get together. We must capture the whole and not be carried away by the detail, however pressing, immediate, anxious it may be. I think that is where the revolution begins.