“Sth, I know that woman. She used to live with a flock of birds on Lenox Avenue. Know her husband, too. He fell for an eighteen-year-old girl with one of those deepdown, spooky loves that made him so sad and happy he shot her just to keep the feeling going. When the woman, her name is Violet, went to the funeral to see the girl and to cut her dead face they threw her to the floor and out of the church. She ran, then, through all that snow, and when she got back to her apartment she took the birds from their cages and set them out the windows to freeze or fly, including the parrot that said, "I love you."”

— Toni Morrison , book Jazz

Jazz (1991) First lines

Adopted from Wikiquote. Last update June 3, 2021. History

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Toni Morrison 184

American writer 1931–2019

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“When a woman thinks her husband is a fool, her marriage is over. They may part in one year or ten; they may live together until death. But if she thinks he is a fool, she will not love him again.”

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“Back to him she would never go, but in her lonely life still lived the sweet memory of that happy time when she believed in him and he was all in all to her.”

Louisa May Alcott A Long Fatal Love Chase

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“Fifty years ago the legal injustice imposed upon women was appalling. Wives, widows and mothers seemed to have been hunted out by the law on purpose to see in how many ways they could be wronged and made helpless. A wife by her marriage lost all right to any personal property she might have. The income of her land went to her husband, so that she was made absolutely penniless. If a woman earned a dollar by scrubbing, her husband had a right to take the dollar and go and get drunk with it and beat her afterwards. It was his dollar. If a woman wrote a book the copyright of the same belonged to her husband and not to her. The law counted out in many states how many cups and saucers, spoons and knives and chairs a widow might have when her husband died. I have seen many a widow who took the cups she had bought before she was married and bought them again after her husband died, so as to have them legally. The law gave no right to a married woman to any legal existence at all. Her legal existence was suspended during marriage. She could neither sue nor be sued. If she had a child born alive the law gave her husband the use of all her real estate as long as he should live, and called it by the pleasant name of "the estate by courtesy."”

Lucy Stone (1818–1893) American abolitionist and suffragist

When the husband died the law gave the widow the use of one-third of the real estate belonging to him, and it was called the "widow's encumbrance."
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“Bird.
A good name for her. She wasn't a sparrow or a songbird, though. She stood so straight, and her face was strong.”

Patricia Reilly Giff (1935) American children's writer

Source: Water Street (2006), Chapters 1-10, p. 27-28

“The landlady had white hair. Around her neck was a high net collar fitting tightly like a corset. She was in her seventies, a tall woman who increased her height by rising on tiptoe and peering at me over her glasses…She smiled with a smile that seemed to hurt her face, cracking it open with old lines that broke up the dry flesh around her mouth and cheeks…She was lonely, and so lost and still proud. One afternoon she took me to her apartment on the top floor. It was like walking into a well-dusted tomb…For two hours she talked of Bert, and Lord! how she loved that man, even in death, but he was not dead at all; he was in that apartment, watching over her, protecting her, daring me to hurt her…The tea was old. The sugar was old and lumpish. The tea cups were dusty, and somehow the tea tasted old and the little dried up cookies tasted of death. When I got up to leave, Bert followed me through the door and down the hall, daring me to think cynically of him.”

John Fante book Ask the Dust

Ask the Dust (1939)

“Marie falls back upon her idea, obdurately, and says, "A woman only lives by love and for love. When she's no longer good for that she's no longer anything."
She repeats, "You see — I'm nothing any more."
Ah, she is at the bottom of her abyss! She is at the extremity of a woman's mourning! She is not thinking only of me. Her thought is higher and vaster. She is thinking of all the woman she is, of all that love is, of all possible things when she says, "I'm no longer anything." And I — I am only he who is present with her just now, and no help whatever is left her to look for from any one.
I should like to pacify and console this woman who is gentleness and simplicity and who is sinking there while she lightly touches me with her presence — but exactly because she is there I cannot lie to her, I can do nothing against her grief, her perfect, infallible grief.
"Ah!" she cries, "if we came to life again!"”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts

“A girl's coquetry is of the simplest, she thinks that all is said when the veil is laid aside; a woman's coquetry is endless, she shrouds herself in veil after veil, she satisfies every demand of man's vanity, the novice responds but to one.
And there are terrors, fears, and hesitations — trouble and storm in the love of a woman of thirty years, never to be found in a young girl's love. At thirty years a woman asks her lover to give her back the esteem she has forfeited for his sake; she lives only for him, her thoughts are full of his future, he must have a great career, she bids him make it glorious; she can obey, entreat, command, humble herself, or rise in pride; times without number she brings comfort when a young girl can only make moan.”

Honoré de Balzac book A Woman of Thirty

La jeune fille n'a qu'une coquetterie, et croit avoir tout dit quand elle a quitté son vêtement; mais la femme en a d'innombrables et se cache sous mille voiles; enfin elle caresse toutes les vanités, et la novice n'en flatte qu'une. Il s'émeut d'ailleurs des indécisions, des terreurs, des craintes, des troubles et des orages chez la femme de trente ans, qui ne se rencontrent jamais dans l'amour d'une jeune fille.Arrivée à cet âge, la femme demande à un jeune homme de lui restituer l'estime qu'elle lui a sacrifiée; elle ne vit que pour lui, s'occupe de son avenir, lui veut une belle vie, la lui ordonne glorieuse; elle obéit, elle prie et commande, s'abaisse et s'élève, et sait consoler en mille occasions, où la jeune fille ne sait que gémir.
Source: A Woman of Thirty (1842), Ch. III: At Thirty Years.

“Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.”

Sylvia Plath book Crossing the Water

"Mirror" http://www.angelfire.com/tn/plath/mirror.html
Crossing the Water (1971)

“See that little girl? I wanted to marry her mother, but she ran off with a coal miner," "A coal miner? Why did she want a coal miner if she could've had you?" "Because when he sings… even the birds stop to listen.”

Suzanne Collins The Hunger Games

Source: The Hunger Games

“Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.”

Thomas Hardy book Jude the Obscure

Pt. IV, ch. V
Jude the Obscure (1895)

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