Source: My Years As Prime Minister (2007), Chapter One, At Laurier's Desk, p. 29
“The spotless maid is like the blooming rose
Which on its native stem unsullied grows;
Where fencing walls the garden-space surround,
Nor swains, nor browsing cattle tread the ground.
But if some hand the tender stalk invades,
Lost is its beauty, and its colour fades:
No more the care of heaven, or garden's boast,
And all its praise with youths and maidens lost.”
Book I, line 300
Translations, Orlando Furioso of Ludovico Ariosto (1773)
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John Hoole 24
British translator 1727–1803Related quotes
La verginella e simile alla rosa
Ch'in bel giardin' su la nativa spina
Mentre sola e sicura si riposa
Ne gregge ne pastor se le avvicina;
L'aura soave e l'alba rugiadosa,
L'acqua, la terra al suo favor s'inchina:
Gioveni vaghi e donne inamorate
Amano averne e seni e tempie ornate.<p>Ma no si tosto dal materno stelo
Rimossa viene, e dal suo ceppo verde
Che quato havea dagli huoi e dal cielo
Favor gratia e bellezza tutto perde.
Canto I, stanzas 42–43 (tr. G. Waldman)
Compare:
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae:
idem cum tenui carptus defloruit ungui,
nulli illum pueri, nullae optavere puellae:
sic virgo, dum intacta manet, dum cara suis est;
cum castum amisit polluto corpore florem,
nec pueris iucunda manet, nec cara puellis.
As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it: so a maiden, whilst she remains untouched, so long she is dear to her own; when she has lost her chaste flower with sullied body, she remains neither lovely to boys nor dear to girls.
Catullus, Carmina, LXII (tr. Francis Warre-Cornish)
Orlando Furioso (1532)
The Nuts of Knowledge (1903)
"The Grave of the Countess Potocki" http://daisy.htmlplanet.com/amick.htm
Crimean Sonnets
Autumn Woods. Reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Attributed
The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting