A Letter from Artemisia in Town to Chloe in the Country (1679)
VIII, 48
Meditations (c. 121–180 AD), Book VIII
Context: The mind which is free from passions is a citadel, for man has nothing more secure to which he can fly for refuge and for the future be inexpugnable. He then who has not seen this is an ignorant man: but he who has seen it and does not fly to this refuge is unhappy.
Source: Meditations (c. AD 121–180), Book VIII, 48
Delacroix était passionnément amoureux de la passion, et froidement déterminé à chercher les moyens d'exprimer la passion de la manière la plus visible. Dans ce double caractère, nous trouvons, disons-le en passant, les deux signes qui marquent les plus solides génies, génies extrêmes.
L’œuvre et la vie d’Eugène Delacroix http://fr.wikisource.org/wiki/L%27%C5%92uvre_et_la_vie_d%27Eug%C3%A8ne_Delacroix#III [The Life and Work of Eugène Delacroix] (1863), published in Curiosités esthétiques (1868)
“Curiosity is, in great and generous minds, the first passion and the last.”
Source: Works of Samuel Johnson
“Do not mistake energy for enthusiasm; the softest speakers are often the most enthusiastic of men.”
Source: Thoughts in the Cloister and the Crowd. 1901, p.17.
Canzon, s'uom trovi in suo amor viver queto,
di': Muor' mentre se' lieto,
ché morte al tempo è non duol, ma refugio;
et chi ben pò morir, non cerchi indugio.
Canzone 331, st. 6 ( tr. A. S. Kline http://petrarch.petersadlon.com/canzoniere.html?poem=331)
Il Canzoniere (c. 1351–1353), To Laura in Death
