
Source: 1920s, Prejudices, Third Series (1922), Ch. 3
"On Milton's Sonnets"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)
Source: 1920s, Prejudices, Third Series (1922), Ch. 3
“He that works and does some Poem, not he that merely says one, is worthy of the name of Poet.”
Introduction to Cromwell's Letters and Speeches (1845).
1840s
On starting off in poetry (as quoted in the book “Race and the Modern Artist” https://books.google.com/books?id=4XY8DwAAQBAJ&pg=PA208&lpg=PA208&dq)
Thomas Nashe, Preface to Robert Greene's Menaphon (1589), cited from G. Gregory Smith (ed.) Elizabethan Critical Essays (Oxford: Oxford University Press, 1904) vol. 1, p. 315.
Criticism
Laura Riding and Harry Kemp from The Left Heresy in Literature and Life (London: Methuen, 1939)
The Music of Poetry (24 February 1942) the third W. P. Ker memorial lecture delivered in the University of Glasgow
Sem vergonha o não digo, que a razão
De algum não ser por versos excelente,
É não se ver prezado o verso e rima,
Porque quem não sabe arte, não na estima.
Stanza 97, lines 5–8 (tr. Richard Fanshawe)
Epic poetry, Os Lusíadas (1572), Canto V
(July 1910)
The Diaries of Franz Kafka 1910-1923 (1948)
Context: I can prove at any time that my education tried to make another person out of me than the one I became. It is for the harm, therefore, that my educators could have done me in accordance with their intentions that I reproach them; I demand from their hands the person I now am, and since they cannot give him to me, I make of my reproach and laughter a drumbeat sounding in the world beyond.
English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece