“In the sublime imagination of the Beatific Vision, he catches a hint of a deeper reality, but why, he asks, this distinction between time and eternity? Can the apprehension of the Infinite Good be conditioned by the clock? Oh, for a knowledge undimensioned, untimed, effect of no cause, cause of no effect!”

Source: Anna Karenina

Source: Man's Vision of God and the Logic of Theism (1941), P. 347.

"The Flower of Coleridge" ["La flor de Coleridge"] — The title of this work makes reference to a line by Samuel Coleridge in Anima Poetæ : From the Unpublished Note-books of Samuel Taylor Coleridge (1895), p. 282 : "If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hand when he awake — Aye, what then?"
Other Inquisitions (1952)

I'm not Stiller (1955)

All the Myriad Ways (p. 79)
Short fiction, N-Space (1990)

Source: Kindergarten Chats (1918), Ch. 36 : Another City

The Art of Magic (1891)
Context: No one regards the magician today as other than an ordinary man gifted with no extraordinary powers. The spectators come, not to be impressed with awe, but fully aware that his causes and effects are natural. They come rather as a guessing committee, to spy out the methods with which he mystifies. Hundreds of eyes are upon him. Men with more knowledge of the sciences than he come to trip and expose him, and to baffle their scrutiny is the study of his life. Long years of training and exercise alone will not make a magician. … There must be some natural aptitude for the art; it must be born in a man, and can never be acquired by rule. He must be alert both in body and in mind; cool and calculating to the movement of a muscle under all circumstances; a close student of men and human nature. To these qualifications he must add the rather incongruous quality of a mind turning on contradictions. With a scientific cause he must produce a seemingly opposite effect to that warranted by order and system.
I know of no life requiring such a series of opposite qualities as the magician's. And after the exercise of all these qualities I have named, resulting in the production of the most startling and novel results, the magician has not the satisfaction, like other men, of the enjoyment of his own product. He must be prepared to see it copied by others, or after a short time discovered by the public.

Source: 1990s and beyond, The Book of Probes : Marshall McLuhan (2011), p. 303

Source: "Attribution theory and research." 1980, p. 466