“In the last three months I hadn’t lost one single game of chess. It was crazyloco, but sometimes I thought that I was so brilliant because I could see what other people couldn’t see or understand even after I’d explain it to them. Playing chess wasn’t about making single moves. It was about seeing patterns, then backing up inside your mind and seeing the last five and six moves of your opponent, then flashing forward real fast. And bingo, the whole chessboard became alive in living patterns.”

“Suddenly, I don’t know how to explain it, the chess pieces seemed to come alive for me. It was like I could now see the chess pieces moving on the board on their own. I started beating everybody. I, the slowest of the slow, had now gone something like a hundred games without losing. I could do no wrong. It was magical how the pieces spoke to me, showing me where to move.”

“Everything is so alive, that I can be alive. Without moving I can see it all. In your life I see everything that lives.”

“I feel as if I were a piece in a game of chess, when my opponent says of it: That piece cannot be moved.”

“I was almost annoyed hearing that Putin plays chess and Obama or other leaders of the free world they play checkers. I thought I had to defend the integrity of my game because chess is not a game for dictators for numerous reasons. One, it’s transparent. It’s all information hundred percent available so you know exactly what you have, you know exactly what your opponent has. You don’t know what he or she is thinking, but you definitely know what kind of resources your opponent can use to hurt you, to damage your position.”

“A few months back Major Terry and his pet student, Drosen, had brought in a guy from San Diego to play chess with me. I’d had no idea that he was rated and was really good, so I’d beaten his ass real fast. He’d gotten all mad at Major Terry and Drosen for not telling him that I was as good as I was. He’d accused them of setting him up to publicly embarrass him. I’d had no idea what the big fuss was all about. I hadn’t even realized that there was such a thing as tournaments and championships for chess just like we had in wrestling. I’d quit playing chess at school after that incident. Now I only played at home with my dad’s older friends, Roberto and Salvador Montoya, who’d both been very good chess players in Mexico City. I beat Roberto almost all the time, but his older brother Salvador beat me pretty regularly. And I’d recently been told that Salvador had been so good that he’d once gone to Cuba to play and that he’d come in third among some of the best international players in the world.”

“It's the last thing I want to see. It's not a game of the best of three.”

“That reminded John Paul of what Andrew had said when he was teaching him to play chess. “You have to think ahead, the next move, the next move, the next move, to see where it’s all going to lead.” John Paul understood the principle as soon as Andrew explained it. But he stopped playing chess anyway, because he didn’t care what happened to little plastic figures on a board of sixty-four squares.”

“I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorization and prearrangement like it is today.”

“So books are real to me, too; they link me not just with other minds but with the vision of other minds, what those minds understand and see. I see their worlds as well as I see my own.”