“The artists and donors and priests forgot nothing which, in their judgment could set off the authority, elegance and refinement of the Queen of Heaven; even the young ladies-in-waiting are there, figured by the twelve Virtues and the fourteen Beatitudes; and indeed, though men are plenty and some of them are handsome, women give the tone, the charm, and mostly the intelligence. The court of Mary is feminine, and its charms are Grace and Love; perhaps even more grace than love, in a social sense, if you look at Beauty and Friendship among Beatitudes.”

— Henry Adams

Mont Saint Michel and Chartres (1904)

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Henry Adams 311

journalist, historian, academic, novelist 1838–1918

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“Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women – women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in – older women and younger men.”

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“Though the gifts of the mind are infinite, they can, it seems to me, be thus classified. There are some so beautiful that everyone can see and feel their beauty. There are some lovely, it is true, but which are wearisome. There are some which are lovely, which all the world admire, but without knowing why. There are some so refined and delicate that few are capable even of remarking all their beauties. There are others which, though imperfect, yet are produced with such skill, and sustained and managed with such sense and grace, that they even deserve to be admired.”

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Rick Riordan book The Blood of Olympus

Source: The Blood of Olympus

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Lord Byron's translation:
Ye Cupids, droop each little head,
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“To stroll on wharves, and in alleys and in streets and in the houses, waiting-rooms, even saloons, that is not a pleasant pastime unless for an artist. As such, one would rather be in the dirtiest place where there is something to draw, than at a tea party with charming ladies. Unless one wants to draw ladies, then a tea party is all right even for an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

quote in his letter to brother Theo, from The Hague, The Netherlands in Spring 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 34 (letter 190)
1880s, 1882

“Berthe Morisot was a painter full of eighteenth-century delicacy and grace; in a word, the last elegant and 'feminine' artists since Fragonard.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 175 : Renoir's remarks to Vollard, referring to the delicate painting-style of Berthe Morisot's, the only French woman-artist of Paris Impressionism.

“With women there is neither caste nor rank, for beauty, grace and charm take the place of family and birth. Natural ingenuity, instinct for what is elegant, a supple mind are their sole hierarchy, and often make of women of the people the equals of the very greatest ladies.
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Pierre-Auguste Renoir (1841–1919) French painter and sculptor

In Renoir's letter to Paul Durand-Ruel, from Guernsey, 27 Sept, 1883; as cited in 'Renoir in Guernsey' (in 1883), text by John House http://museums.gov.gg/CHttpHandler.ashx?id=81297&p=0, Guernsey museum
1880's

“She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she’s not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as my Lady when she strides through Paris!”

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Source: Cyrano de Bergerac

“Things are pretty, graceful, rich, elegant, handsome, but, until they speak to the imagination, not yet beautiful.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Beauty
1860s, The Conduct of Life (1860)

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