
“An original artist is unable to copy. So he has only to copy in order to be original.”
Le Coq et l’Arlequin (1918)
Nur derjenige kann ein Künstler seyn, welcher eine eigne Religion, eine originelle Ansicht des Unendlichen hat.
“Selected Ideas (1799-1800)”, Dialogue on Poetry and Literary Aphorisms, Ernst Behler and Roman Struc, trans. (Pennsylvania University Press:1968) #13
Nur derjenige kann ein Künstler seyn, welcher eine eigne Religion, eine originelle Ansicht des Unendlichen hat.
“An original artist is unable to copy. So he has only to copy in order to be original.”
Le Coq et l’Arlequin (1918)
“Only he is an artist who can make a riddle out of a solution.”
Half-Truths and One-And-A-Half Truths (1976)
quote of 1921; de:Louis de Marsalle, in 'Uber Kirchners Graphik', Genius 3, no. 2, p. 252; as quoted in 'The Revival of Printmaking in Germany', by I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 40
1920's
A Few Maxims for the Instruction of the Over-Educated (1894)
Source: The Agony and the Ecstasy
Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona
Quote in an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
1860s
“The person who wants nothing, hopes for nothing, and fears nothing can never be an artist.”
Letter to A.S. Suvorin (November 25, 1892)
Letters
“Mathematics rightly viewed possesses not only truth but supreme beauty.”
1900s, "The Study of Mathematics" (November 1907)
Context: Mathematics, rightly viewed, possesses not only truth, but supreme beauty – a beauty cold and austere, like that of sculpture, without appeal to any part of our weaker nature, without the gorgeous trappings of painting or music, yet sublimely pure, and capable of a stern perfection such as only the greatest art can show. The true spirit of delight, the exaltation, the sense of being more than Man, which is the touchstone of highest excellence, is to be found in mathematics as surely as in poetry. What is best in mathematics deserves not merely to be learnt as a task, but to be assimilated as a part of daily thought, and brought again and again before the mind with ever-renewed encouragement.