“The children face problems such as violence, abuse, suicide etc. that medicine can not heal. It will never help these children psychologically and be his support …? Even when they are in difficulty, in principle they do not speak with adults, or confide about their true intentions. However, expect some serious messages from adults. I will continue to send messages through manga. Children avoid them what force or what they want to impose anything. That is why I will continue to look for those things that […] inspire their hearts.”
From the intervention to the fifteenth national conference on school health and safety in schools , 1987; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 2, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 79. ISBN 8888063072
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Osamu Tezuka 18
Japanese cartoonist and animator 1928–1989Related quotes

per 18 June 2014 Washington Post article https://www.washingtonpost.com/blogs/plum-line/wp/2014/06/18/hillary-minors-crossing-border-must-be-sent-home/?utm_term=.4fa77b8f5771
Interim (2013–2015)
“The value of marriage is not that adults produce children, but that children produce adults.”

“Is adult entertainment killing our children? Or is killing our children entertaining adults?”
As quoted in MarilynManson.com (2000).
2000s
“Children are the living messages we send to a time we will not see.”
Introduction
The Disappearance of Childhood (1982)
Context: Children are the living messages we send to a time we will not see. From a biological point of view it is inconceivable that any culture will forget that it needs to reproduce itself. But it is quite possible for a culture to exist without a social idea of children. Unlike infancy, childhood is a social artifact, not a biological category.

Source: Summerhill (1960), p. 12
Context: You cannot make children learn music or anything else without to some degree converting them into will-less adults. You fashion them into accepters of the status quo – a good thing for a society that needs obedient sitters at dreary desks, standers in shops, mechanical catchers of the 8:30 suburban train – a society, in short, that is carried on the shabby shoulders of the scared little man – the scared-to-death conformist.