“The novelist with a prudent prodigality may employ descriptions, dialogues, and episodes, which would be fatal in a drama. Characters may be introduced and dismissed without having any important connection with the plot; it is enough if they serve the purpose of the chapter in which they appear. Although as a matter of fine art no character should have a place in a novel unless it form an integral element of the story, and no episode should be introduced unless it reflects some strong light on the characters or incidents, this is a critical demand which only fine artists think of satisfying, and only delicate tastes appreciate. For the mass of readers it is enough if they are mused; and indeed all readers, no matter how critical their taste, would rather be pleased by a transgression of the law than wearied by prescription. Delight condones offence. The only question for the writer is, whether the offence is so trivial as to be submerged in the delight. And he will do well to remember that the greater flexibility belonging to the novel by no means removes the novel from the laws which rule the drama.”

“In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.”

“Every possible effort should be made to stop recruiting for the Armed Forces. This may, and probably would, lead to some form of conscription being proposed or introduced. Thus would be provided a most favourable political platform upon which to fight the National Government.”

“I cannot write any sort of story unless there is at least one character in it for whom I have physical desire.”

“Harmony, rhythm, concision, concinnity are all elements that are epitomized in poetry. Cultivated in poetry, which is the nucleus of the creative impulse, these elemetns serve every art form: acting a character, writing a novel, creating music, dance, sculpture, painting.”

“If, in pursuing this object, we employ our skill in research, not in forming vain conjectures; and if data are to be found, on which Science may form just conclusions, we should not long remain in ignorance with respect to the natural history of this Earth, a subject on which hitherto opinion only, and not evidence, has decided. For in no subject is there naturally less defect of evidence, although philosophers, led by prejudice, or misguided by false theory, have neglected to employ that light by which they should have seen the system of the world.”

“In my opinion it is harmful to place important things in the hands of philanthropy, which in Russia is marked by a chance character. Nor should important matters depend on leftovers, which are never there. I would prefer that the government treasury take care of it.”

“Life is a drama full of tragedy and comedy. You should learn to enjoy the comic episodes a little more.”

“I will not say that a witness shall not be asked to what may tend to disparage him: that would prevent an investigation into the character of the witness, which may often be of importance to ascertain. I think those questions only should not be allowed to be asked which have a direct and immediate effect to disgrace or disparage the witness.”

“[…] a stone rolled down hill by an idle truant boy […]. Even such is the course of a narrative like that which you are perusing. The earlier events are studiously dwelt upon, that you, kind reader, may be introduced to the character rather by narrative, than by the duller mdium of direct description; but when the story drwas near its close, we hurry over the circumstances, however important, which your imagination must hvae forestalled, and leave you to suppose those things which it would be abusing your patience to relate at length.”