"Freedom for Whom", as translated in Brecht on Brecht : An Improvisation (1967) by George Tabori, p. 18
Context: Firebugs dragging their gasoline bottles
Are approaching the Academy of Arts, with a grin.
And so, instead of embracing them, Let us demand the freedom of the elbow
To knock the bottles out of their filthy hands.
Even the most blockheaded bureaucrat,
Provided he loves peace,
Is a greater lover of the arts
Than any so-called art-lover
Who loves the arts of war.
“Art is always at peril in universities, where there are so many people, young and old, who love art less than argument, and dote upon a text that provides the nutritious pemmican on which scholars love to chew.”
Part 2, section 11.
The Cunning Man (1994)
Help us to complete the source, original and additional information
Robertson Davies 282
Canadian journalist, playwright, professor, critic, and nov… 1913–1995Related quotes
Catherine Deveney, "Stripped bare", http://living.scotsman.com/index.cfm?id=288312004 The Scotsman, (2004-03-14)
On her life running the Rosy Wilde gallery after her mother's death in 2003.
“Beautiful young people are accidents of nature, but beautiful old people are works of art.”
De Abaitua interview (1998)
Context: There are books that have devastated continents, destroyed thousands. What war hasn’t been a war of fiction? All the religious wars certainly, or the fiction of communism versus the fiction of capitalism – ideas, fictions, shit that people make. They have made a vast impression on the real world. It is the real world. Are thoughts not real? I believe it was Wittgenstein who said a thought is a real event in space and time. I don’t quite agree about the space and time bit, Ludwig, but certainly a real event. It’s only science that cannot consider thought as a real event, and science is not reality. It’s a map of reality, and not a very good one. It’s good, it’s useful, but it has its limits. We have to realise that the map has its edges. One thing that is past the edge is any personal experience. That is why magic is a broader map to me, it includes science. It’s the kind of map we need if we are to survive psychologically in the age that is to come, whatever that is. We need a bigger map because the old one is based on an old universe where not many of us live anymore. We have to understand what we are dealing with here because it is dangerous. It kills people. Art kills.
“All art is at once surface and symbol. Those who go beneath the surface do so at their peril.”
Source: The Picture of Dorian Gray
"The Sublime and the Good", in the Chicago Review, Vol. 13 Issue 3 (Autumn 1959) p. 51.
Source: Existentialists and Mystics Writings on Philosophy and Literature