“Three hundred men hastened forth, wearing gold torques, defending the land – and there was slaughter. Though they were slain they slew, and they shall be honoured to the end of the world; and of all us kinsmen who went, alas, but for one man none escaped.”

Source: On Greek Literature, p. 397

Source: The Sayings and Teachings of the Great Mystics of Islam (2004), p. 97

Source: The Monkey Grammarian (1974), Ch. 1
Context: The best thing to do will be to choose the path to Galta, traverse it again (invent it as I traverse it), and without realizing it, almost imperceptibly, go to the end — without being concerned about what “going to the end” means or what I meant when I wrote that phrase. At the very beginning of the journey, already far off the main highway, as I walked along the path that leads to Galta, past the little grove of banyan trees and the pools of foul stagnant water, through the Gateway fallen into ruins and into the main courtyard bordered by dilapidated houses, I also had no idea where I was going, and was not concerned about it. I wasn’t asking myself questions: I was walking, merely walking, with no fixed itinerary in mind. I was simply setting forth to meet … what? I didn’t know at the time, and I still don’t know. Perhaps that is why I wrote “going to the end”: in order to find out, in order to discover what there is after the end. A verbal trap; after the end there is nothing, since if there were something, the end would not be the end. Nonetheless, we are always setting forth to meet … even though we know that there is nothing, or no one, awaiting us. We go along, without a fixed itinerary, yet at the same time with an end (what end?) in mind, and with the aim of reaching the end. A search for the end, a dread of the end: the obverse and the reverse of the same act. Without this end that constantly eludes us we would not journey forth, nor would there be any paths. But the end is the refutation and the condemnation of the path: at the end the path dissolves, the meeting fades away to nothingness. And the end — it too fades away to nothingness.

Book VII, line 278 (tr. E. Ridley).
Pharsalia

Berek, Lord Foul's Bane

Source: White-Jacket (1850), Ch. 68
Context: I let nothing slip, however small; and feel myself actuated by the same motive which has prompted many worthy old chroniclers, to set down the merest trifles concerning things that are destined to pass away entirely from the earth, and which, if not preserved in the nick of time, must infallibly perish from the memories of man. Who knows that this humble narrative may not hereafter prove the history of an obsolete barbarism? Who knows that, when men-of-war shall be no more, "White-Jacket" may not be quoted to show to the people in the Millennium what a man-of-war was? God hasten the time!

Last Song, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Music and Moonlight (1874), Ode
Context: With wonderful deathless ditties
We build up the world's great cities,
And out of a fabulous story
We fashion an empire's glory:
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And three with a new song's measure
Can trample an empire down.

Valence of Prince Berthold, in Act IV.
Colombe's Birthday (1844)
Context: p>He gathers earth's whole good into his arms;
Standing, as man now, stately, strong and wise,
Marching to fortune, not surprised by her.
One great aim, like a guiding-star, above—
Which tasks strength, wisdom, stateliness, to lift
His manhood to the height that takes the prize;
A prize not near — lest overlooking earth
He rashly spring to seize it — nor remote,
So that he rest upon his path content:
But day by day, while shimmering grows shine,
And the faint circlet prophesies the orb,
He sees so much as, just evolving these,
The stateliness, the wisdom and the strength,
To due completion, will suffice this life,
And lead him at his grandest to the grave.
After this star, out of a night he springs;
A beggar's cradle for the throne of thrones
He quits; so, mounting, feels each step he mounts,
Nor, as from each to each exultingly
He passes, overleaps one grade of joy.
This, for his own good: — with the world, each gift
Of God and man, — reality, tradition,
Fancy and fact — so well environ him,
That as a mystic panoply they serve —
Of force, untenanted, to awe mankind,
And work his purpose out with half the world,
While he, their master, dexterously slipt
From such encumbrance, is meantime employed
With his own prowess on the other half.
Thus shall he prosper, every day's success
Adding, to what is he, a solid strength —
An aery might to what encircles him,
Till at the last, so life's routine lends help,
That as the Emperor only breathes and moves,
His shadow shall be watched, his step or stalk
Become a comfort or a portent, how
He trails his ermine take significance, —
Till even his power shall cease to be most power,
And men shall dread his weakness more, nor dare
Peril their earth its bravest, first and best,
Its typified invincibility.Thus shall he go on, greatening, till he ends—
The man of men, the spirit of all flesh,
The fiery centre of an earthly world!</p