
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 71
Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 1, In the beginning, p. 1
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 71
Introduction: an evolutionary riddle, p. 4
In Gods We Trust: The Evolutionary Landscape of Religion (2002)
Brian Mulroney, PC Leadership Convention, May 30, 2003
Source: The Obstacle Race (1979), Chapter VII: The Disappearing Oeuvre (p. 134)
Context: Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth. These circumstances include the ambiance created by the other, lesser artists of their own time, who have all done their part in creating the pressure that forces up an exceptional talent. Unjustly, but unavoidably, the very closeness of a great artist to his colleagues and contemporaries leads to their eclipse.
As quoted in His Brother's Blood: Speeches and Writings, 1838–64 https://web.archive.org/web/20160319081944/https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA234#v=onepage&q&f=false (2004), edited by William Frederick Moore and Jane Ann Moore, p. 234
1860s, Speech (October 1860)
“What dire offence from amorous causes springs,
What mighty contests rise from trivial things!”
Canto I, line 1.
Source: The Rape of the Lock (1712, revised 1714 and 1717)
Source: The Moral Judgment of the Child (1932), Ch. 2 : Adult Constraint and Moral Realism <!-- p. 165 -->
Context: !-- Every thought that enters the head of a child of 2-3 does so from the first in the form of a belief and not in the form of a hypothesis to be verified. Hence the very young child's almost systematic romancing as with others and to which one cannot yet give the name of pseudo-lie, so close is the connection between primitive romancing and assertive belief.
Hence finally, the pseudo-lie, which is a sort of romancing used for other people, and serving to pull the child out of any straight due to circumstances, from which he deems it perfectly natural to extricate himself by inventing a story. Just as, from the intellectual point of view the child will elude a difficult question by means of an improvised myth to which he will give momentary credence, so from the moral point of view, an embarrassing situation will give rise to a pseudo-lie. Nor does this involve anything more than an application of the general laws of primitive child thought, which is directed towards its own satisfaction rather than to objective truth. -->It is as his own mind comes into contact with others that truth will begin to acquire value in the child's eyes and will consequently become a moral demand that can be made upon him. As long as the child remains egocentric, truth as such will fail to interest him and he will see no harm in transposing facts in accordance with his desires.
“I like to write when I feel spiteful. It is like having a good sneeze."
(, November 1913)”
Source: Letters