The Uttarpara Address (1909)
Context: The second message came and it said, "Something has been shown to you in this year of seclusion, something about which you had your doubts and it is the truth of the Hindu religion. It is this religion that I am raising up before the world, it is this that I have perfected and developed through the Rishis, saints and Avatars, and now it is going forth to do my work among the nations. I am raising up this nation to send forth my word. This is the Sanatan Dharma, this is the eternal religion which you did not really know before, but which I have now revealed to you. The agnostic and the sceptic in you have been answered, for I have given you proofs within and without you, physical and subjective, which have satisfied you. When you go forth, speak to your nation always this word, that it is for the Sanatan Dharma that they arise, it is for the world and not for themselves that they arise. I am giving them freedom for the service of the world. When therefore it is said that India shall rise, it is the Sanatan Dharma that shall be great. When it is said that India shall expand and extend herself, it is the Sanatan Dharma that shall expand and extend itself over the world. It is for the Dharma and by the Dharma that India exists. To magnify the religion means to magnify the country. I have shown you that I am everywhere and in all men and in all things, that I am in this movement and I am not only working in those who are striving for the country but I am working also in those who oppose them and stand in their path. I am working in everybody and whatever men may think or do, they can do nothing but help in my purpose. They also are doing my work, they are not my enemies but my instruments. In all your actions you are moving forward without knowing which way you move. You mean to do one thing and you do another. You aim at a result and your efforts subserve one that is different or contrary. It is Shakti that has gone forth and entered into the people. Since long ago I have been preparing this uprising and now the time has come and it is I who will lead it to its fulfilment."
“My work has nothing to do with people, nothing to do with psychology. I am much more cerebral than Willink. I do not wish to be deep at all. I know that I don't hide anything at all in this work. When Carel Willink paints a naked lady in a street, I think: what is that lady doing there?... the house facades give me a lugubrious impression. So it is a lugubrious street. My work is not lugubrious. If you ask Willink: 'Why are those naked mistresses there', you do not receive an answer. With me you always get an answer when you ask: why..”
version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): Mijn werk heeft niets met de mens, niets met psychologie te maken. Ik ben veel cerebraler dan Willink. Ik wens helemaal niet diep te zijn. Ik weet dat ik in dit werk niets verberg. Als Carel Willink een naakte juffrouw in een straat schildert, denk ik: wat heeft die juffrouw daar te maken?.. ..de gevels maken op mij de indruk van iets lugubers. Het is dus een lugubere straat. Mijn werk is niet luguber. Als je Willink vraagt: waarom zijn die naakte juffrouwen daar, krijg je geen antwoord. Bij mij krijg je altijd antwoord als je vraagt: waarom..
1960's, M.C. Escher, interviewed by Bibeb', 1968
Help us to complete the source, original and additional information
M. C. Escher 32
Dutch graphic artist 1898–1972Related quotes
Addicted To Your Love https://genius.com/Zhiar-ali-addicted-to-your-love-lyrics, 2018
Song lyrics
1980's, I don't necessarily desire a perfect photography,' 1981
David Cronenberg's Body Language http://www.nytimes.com/2005/09/18/magazine/18cronenberg.html?pagewanted=all (September 18, 2005)
Interview with Reuters, quoted on ITN. http://www.itnsource.com/shotlist/RTV/2012/01/26/RTV249512/ (26 January 2012).
As an Artist
William Leith (January 25, 2003) "Dancing in the Dark: He was a baby when he got his first showbiz break in the 1940s, and then firmly schooled in the song-and-dance tradition. So how did Christopher Walken end up as a master of evil?", The Guardian.
Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s
“I don't encourage anybody to do what I do, you know? Why should you? More for me!”
Interview 2006. http://youtube.com/watch?v=ohEz13V1Vhk&feature=related