
1980s, First term of office (1981–1985), Abortion and the Conscience of the Nation (1983)
Nick Griffin, The BNP: Anti-asylum protest, racist sect or power-winning movement? http://web.archive.org/web/20030605150634/http://www.bnp.org.uk/articles/race_reality.htm
1980s, First term of office (1981–1985), Abortion and the Conscience of the Nation (1983)
Diary (23 July 1851)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)
Context: Is there anything in which the people of this age and country differ more from those of other lands and former times than in this — their ability to preserve order and protect rights without the aid of government? … We are realizing the paradox, “that country is governed best which is governed least.” I no longer fear lynch law. Let the people be intelligent and good, and I am not sure but their impulsive, instinctive verdicts and sentences and executions, unchecked by the rules and technicalities of law, are more likely to be according to substantial justice than the decisions of courts and juries.
Italian Report (1955)
Context: A more rewarding approach to painting, in my opinion the only valid one, is to regard it as a deeply personal and private activity and to remember that even when the painter works directly for the public — when there is sufficient common ground to allow him to do so — the real merit of the work will depend on the personal vision of the artist and the work will only be truly understood if it is approached by each in the same spirit as the painter painted it. We must be willing to assume the same sort of responsibility and share the dilemma out of which the work was created in order to be able to feel with the artist. Since the deepest and truest dilemma, from which all good art springs, is the human condition we have every right to regard the needs of our own consciousness as the final court in judging the merit of a work of art, we have in fact a moral obligation to do so. This demands the precise honesty from the spectator as was required from the artist in making the painting. It is their common ground, the area within which communication can occur. Art in the end speaks to the secret soul of the individual and of the most secret sorrows. For this reason it is true that the development that produces great art is a moral and not an aesthetic development..
"True Hallucinations" (1993)
Variant: Progress of human civilization in the area of defining human freedom is not made from the top down. No king, no parliament, no government ever extended to the people more rights than the people insisted upon.
Context: Progress of human civilization in the area of defining human freedom is not made from the top down. No king, no parliament, no government ever extended to the people more rights than the people insisted upon. And I think we've come to a place with this psychedelic issue. And we have the gay community as a model, and all the other communities, the ethnic communities. We simply have to say, Look: LSD has been around for fifty years now, we just celebrated the birthday. It ain't going away. WE are not going away. We are not slack-jawed, dazed, glazed, unemployable psychotic creeps. We are pillars of society. You can't run your computers, your fashion houses, your publishing houses, your damn magazines, you can't do anything in culture without psychedelic people in key positions. And this is the great unspoken truth of American Creativity. So I think it's basically time to just come out of the closet and go, "You know what, I'm stoned, and I'm proud."
“Man and Other Animals: Our Fellow Creatures Have Feelings – So We Should Give Them Rights Too,” in The Guardian (16 August 2003) https://www.theguardian.com/uk/2003/aug/16/animalwelfare.world
Frequently quoted fragment of Tito's speech in Split 1962 Source: YouTube https://www.youtube.com/watch?v=H7s7ldiX6lc
Other
"Some Random Thoughts About the War On Drugs" http://www.ncc-1776.org/tle2010/tle574-20100613-02.html 13 June 2010.