
note from his postcard, late May 1943; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's
Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13]
In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat
1890 - 1920
note from his postcard, late May 1943; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 17
Source: Odes, CXLIII, in Hafiz of Shiraz: Selections from his Poems, translated from the Persian, by Herman Bicknell (1875), p. 197; quoted in Hoyt's New Cyclopedia of Practical Quotations (1922), p. 59
quote about drawing in a picture
1960s, Interview with Barbara Rose', Archives - American Art, 1968
Nano Reid (1950)
Context: Nano Reid does not begin a portrait with any ideas about the person she draws. She is concerned with the head, its existence as a structure with certain characteristics. She is so much concerned with this that her portraits are inevitably deep studies of character and personality. The head, the face, the lines and features, contain everything for the painter who understands well enough to put it down.