
On the Educational Value of the Medical Society (1903), p. 333
Ariadne Florentina: Six Lectures on Wood and Metal Engraving, with Appendix, lecture I: Definition of the Art of Engraving, section 34 (1872).
On the Educational Value of the Medical Society (1903), p. 333
Vague Thoughts On Art (1911)
Context: Art is the great and universal refreshment. For Art is never dogmatic; holds no brief for itself; you may take it, or you may leave it. It does not force itself rudely where it is not wanted. It is reverent to all tempers, to all points of view. But it is wilful — the very wind in the comings and goings of its influence, an uncapturable fugitive, visiting our hearts at vagrant, sweet moments; since we often stand even before the greatest works of Art without being able quite to lose ourselves! That restful oblivion comes, we never quite know when — and it is gone! But when it comes, it is a spirit hovering with cool wings, blessing us from least to greatest, according to our powers; a spirit deathless and varied as human life itself.
Source: On The Wealth of Nations (2007), Chapter 2: "Why Is The Wealth of Nations So Damn Long?", p. 22
Joseph Kosuth. (1969), as cited in: Claude Gintz, Musée d'Art Moderne Paris (1989). L'Art conceptuel, une perspective: exposition au Musée d'art moderne de la Ville de Paris, 22 nov. 1989 - 18 fév. 1990. p. 42
Origins Reconsidered: In Search of What Makes Us Human (1992)
Source: Rodin : the man and his art, with leaves from his notebook, 1917, p. 125
Source: Monty Python and the Holy Grail (Book): Mønti Pythøn Ik Den Hølie Gräilen
Source: Art As a Social System (2000), p. 102.
On the intermingling of cultures
Jeet Thayil on why 'Where are you from?' is a complicated question for all of us
“For a brief time I was here; and for a brief time I mattered.”
His entire afterword to The Essential Ellison (1987)
Also quoted in the death announcement made by his publicist (28 June 2018).