“Mace stared at the man as though he'd never seen him before. And he hadn't: only now, finally, was he seeing him. An undistinguished little man: soft face and uncertain voice, shaky hands and allergies: an undistinguished little man who must have had resources of toughness that Mace could barely imagine.”

Mace Windu, p. 17
Shatterpoint (2004)

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American writer 1962

Diana Peterfreund (1979) American writer

Source: For Darkness Shows the Stars

“He'd learned that the object of a school fight was not to gain points for style but to force your enemy to give in, which meant hurting him more than he was hurting you. He knew that you had to be willing to hurt someone else, too, and he'd found out that not many people were, when it came to it; but he knew that he was.
So this wasn't unfamiliar to him, but he hadn't fought against a nearly grown man armed with a knife before, and at all costs he must keep the man from picking it up now that he'd dropped it.”

Philip Pullman His Dark Materials trilogy

Source: His Dark Materials, The Subtle Knife (1997), Ch. 8 : The Tower of the Angels

“Binabik had taught him to do only what he could at any given time. “You cannot catch three fish with two hands,” the little man often said.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 2, Chapter 24, “The Graylands” (p. 540).

“I looked up, and did not recognize the same man: before, I had seen death in his face; but now he was alive, and I recognized in him the presence of God.”

Leo Tolstoy book What Men Live By

What Men Live By (1881)
Context: I thought: "I am perishing of cold and hunger, and here is a man thinking only of how to clothe himself and his wife, and how to get bread for themselves. He cannot help me. When the man saw me he frowned and became still more terrible, and passed me by on the other side. I despaired, but suddenly I heard him coming back. I looked up, and did not recognize the same man: before, I had seen death in his face; but now he was alive, and I recognized in him the presence of God.

“Little man stood at the Mayor's door,
No one had ever seen him before,
Dressed in clothes of a gayer mood
Than ever are seen in Hollywood.”

Malvina Reynolds (1900–1978) American folk singer

Song The Pied Piper

“Under this cold moonlight he felt the shimmer of self. He felt no guilt, no pain, no remorse for what he'd done. He could have killed if he wanted to, but he did not. He felt as if he understood men, their discontent, their need to see what they'd not seen before, their need to be where they'd never been. He was one of them. He'd lived in a world of killing and blood and this world was returned to him. He'd lived in the silence and ineluctable mystery of violence. He knew the hold war had on him, the gore that would never come off in this world. He knew he could have killed Mercy's brother with his hands and it was the knowledge that gave him peace.”

Robert Olmstead (1954) American writer

Source: The Coldest Night (2012), p. 243

“When she looked at him now, she couldn't help thinking that the man he had become bore so little resemblance to the boy he had been. His smile was the only piece of baggage he had carried with him from boyhood into manhood.”

Arundhati Roy book The God of Small Things

Source: The God of Small Things

“The petit-bourgeois is a man unable to imagine the Other. If he comes face to face with him, he blinds himself, ignores and denies him, or else transforms him into himself.”

Roland Barthes (1915–1980) French philosopher, critic and literary theorist

"Myth on the Right," in Mythologies (1957)

“The imagined beings have their insides on the outside; they are visible souls. And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Source: Tolkien's The Lord of the Rings, p. 89
Context: But why,' (some ask), 'why, if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own?' Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality. One can see the principle at work in his characterization. Much that in a realistic work would be done by 'character delineation' is here done simply by making the character an elf, a dwarf, or a hobbit. The imagined beings have their insides on the outside; they are visible souls. And Man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?

“A little river seems to him, who has never seen a larger river, a mighty stream; and so with other things—a tree, a man—anything appears greatest to him that never knew a greater.”
Scilicet et fluvius qui visus maximus ei, Qui non ante aliquem majorem vidit; et ingens Arbor, homoque videtur, et omnia de genere omni Maxima quae vidit quisque, haec ingentia fingit.

Lucretius (-94–-55 BC) Roman poet and philosopher

Scilicet et fluvius qui visus maximus ei,
Qui non ante aliquem majorem vidit; et ingens
Arbor, homoque videtur, et omnia de genere omni
Maxima quae vidit quisque, haec ingentia fingit.

Book VI, lines 674–677 (quoted in The Essays of Michel de Montaigne, tr. W. C. Hazlitt)
De Rerum Natura (On the Nature of Things)

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