Gena Showalter (1975) American writer
Source: The Darkest Pleasure
1990s and beyond, The Book of Probes : Marshall McLuhan (2011)
Gena Showalter (1975) American writer
Source: The Darkest Pleasure
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
1990s and beyond, The Book of Probes : Marshall McLuhan (2011)
Paul Simon (1941) American musician, songwriter and producer
Wartime Prayers
Song lyrics, Surprise (2006)
Context: Prayers offered in times of peace are silent conversations,
Appeals for love, or love's release, in private invocationsBut all that is changed now.
Gone like a memory from the day before the fires.
People hungry for the voice of God
Hear lunatics and liars.Wartime prayers. Wartime prayers
In every language spoken.
For every family scattered and broken.
“To appreciate sculpture is to look, to touch, to sense, to learn and communicate.”
Fred Conlon (1943–2005) Irish sculptor
citation needed
Attributed
“The spirit drinking timelessness;
Touch, love, all senses”
Stephen Spender (1909–1995) English poet and man of letters
"Not Palaces"(l. 12–16). . .
Context: Eye, gazelle, delicate wanderer,
Drinker of horizon’s fluid line;
Ear that suspends on a chord
The spirit drinking timelessness;
Touch, love, all senses...
Northrop Frye (1912–1991) Canadian literary critic and literary theorist
Source: "Quotes", The Educated Imagination (1963), Talk 6: The Vocation of Eloquence
Context: Freedom has nothing to do with lack of training; it can only be the product of training. You're not free to move unless you've learned to walk, and not free to play the piano unless you practise. Nobody is capable of free speech unless he knows how to use the language, and such knowledge is not a gift: it has to be learned and worked at.
Lily King (1963) American writer
Source: Euphoria
“To be in touch with senses and emotions beyond conquest is to enter the realm of the mysterious.”
Bell Hooks (1952) American author, feminist, and social activist
Source: Outlaw Culture: Resisting Representations (2006), Chapter 2, Altars of Sacrifice