“A man cannot live intensely except at the cost of the self”
Steppenwolf (1927)
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Hermann Hesse 168
German writer 1877–1962Related quotes
Interview, January 1994 http://bleacherreport.com/articles/20702-ayrton-senna-fourteen-years-later
“That man who lives for self alone
Lives for the meanest mortal known.”
The Building of the City Beautiful (1905), Ch. V : How Beautiful!, p. 48.
Context: p>Each gives to each, and like the star
Gets back its gift in tenfold pay.To get and give and give amain
The rivers run and oceans roll.
O generous and high-born rain
When reigning as a splendid whole!
That man who lives for self alone
Lives for the meanest mortal known.</p
The Price of Civilization: Reawakening American Virtue and Prosperity" The Price of Civilization, 2011
Context: Though the United States is one of the world’s richest economies by per capita income, it ranks only around seventeenth in reported life satisfaction. It is superseded not only by the likely candidates of Finland, Norway, and Sweden, which all rank above the United States but also by less likely candidates such as Costa Rica and the Dominican Republic. Indeed, one might surmise that it is health and longevity rather than income that give the biggest boost to reported life satisfaction. Since good health and longevity can be achieved at per capita income levels well below those of the United States, so too can life satisfaction. One marketing expert put it this way, with only slight exaggeration: Basic Survival goods are cheap, whereas narcissistic self-stimulation and social-display products are expensive. Living doesn’t cost much, but showing off does.
Source: Henry and June: From "A Journal of Love"--The Unexpurgated Diary of Anaïs Nin
“Man cannot live in the midst of plenty.”
Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter X, paragraph 7, line 1
The Wheel of Fortune (1984), Part 1: Robert
Introduction to Chivalry (1921) by James Branch Cabell, later published in Prometheans : Ancient and Modern (1933), p. 279
Context: It is true, of course, that like the fruit of the tree of life, Mr. Cabell's artistic progeny sprang from a first conceptual germ — "In the beginning was the Word." That animating idea is the assumption that if life may be said to have an aim it must be an aim to terminate in success and splendor. It postulates the high, fine importance of excess, the choice or discovery of an overwhelming impulse in life and a conscientious dedication to its fullest realization. It is the quality and intensity of the dream only which raises men above the biological norm; and it is fidelity to the dream which differentiates the exceptional figure, the man of heroic stature, from the muddling, aimless mediocrities about him. What the dream is, matters not at all — it may be a dream of sainthood, kingship, love, art, asceticism or sensual pleasure — so long as it is fully expressed with all the resources of self. It is this sort of completion which Mr. Cabell has elected to depict in all his work: the complete sensualist in Demetrios, the complete phrase-maker in Felix Kennaston, the complete poet in Marlowe, the complete lover in Perion. In each he has shown that this complete self-expression is achieved at the expense of all other possible selves, and that herein lies the tragedy of the ideal. Perfection is a costly flower and is cultured only by an uncompromising, strict husbandry.
