“The money pigs of capitalist democracy… Money has made slaves of us… Money is the curse of mankind. It smothers the seed of everything great and good. Every penny is sticky with sweat and blood.”

http://www.pagetutor.com/standard/chapter02_part1.html

Odes, XXIX. (XXVIL, b), 8.

Source: Going Postal

Adverbs (2006), Arguably

Interview with William Hoster, quoted in God's Gold (1932) by John T. Flynn
Context: I believe the power to make money is a gift of God … to be developed and used to the best of our ability for the good of mankind. Having been endowed with the gift I possess, I believe it is my duty to make money and still more money and to use the money I make for the good of my fellow man according to the dictates of my conscience.

(22 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: [On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.

As quoted in "A Visit to Nikola Tesla" by Dragislav L. Petković in Politika (April 1927); also in Tesla, Master of Lightning (1999) by Margaret Cheney, Robert Uth, and Jim Glenn, p. 82