“Strangely, I liked them (the Sex Pistols) until they made records. I saw them quite a few times before they actually made records. And when they did, it just became… suddenly punk had this enormous scope and was everywhere. Obviously it lost everything. And looking back, I don't really have that much affection for the whole punk thing. It really didn't mean so much to me at all. But of course, I would rather it have been there than not.”

— Morrissey

From a radio interview with David Jensen (1983)
In interviews etc., About other artists

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Morrissey 95

English singer 1959

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“Look at this. Did you ever see a magazine called the New Musical Express? It turns out there is a pop group called The Police - I don't know why they are called that, presumably to distinguish them from the punks - and they've made an album of my essay The Ghost in the Machine. I didn't know anything about it until my clipping agency sent me a review of the record.”

Arthur Koestler (1905–1983) Hungarian-British author and journalist

Writers at Work, ed. George Plimpton (1986).

“In part coming of age listening to Throbbing Gristle, Monte Cazazza and so on... basically industrial music and No Wave defined my tastes. So, I really entered Burroughs via post-punk… and to me his ideas of sound, cut-ups, infrasound, and so on, all informed the mise-en-scène of first wave industrial music. The fact that he really found an audience in post-punk and punk showed some aesthetic lineage. In Against Control – when I look at the records released around Burroughs – I mention the releases by Giorno Poetry Systems, and I think you can really see some shared ideas about the nature of communication amongst the artists there. It’s telling to me that so many of the musicians and bands that are on those records emerged from punk and industrial music.”

Jack Sargeant (writer) (1968) British writer, performer and curator.

Interviewed by Zora Burden https://zoraburden.weebly.com/jack-sargeant.html (2014)

“You know, the actual punk music, I didn't care for at all. I thought it was all rubbish, really. It was the attitude, the way that things were being shaken up, that excited me more.”

Nick Lowe (1949) British singer

"Nick Lowe" interview with Noel Murray at the A.V. Club (27 June 2007)
Context: You know, the actual punk music, I didn't care for at all. I thought it was all rubbish, really. It was the attitude, the way that things were being shaken up, that excited me more. I still liked people who were good, you know? Who could actually play. Even though The Damned were a punk group, they played great. As did Elvis, and as did Ian. They were the ones who interested me. Not some of those daft punkers, especially the ones who had people who were actually pretty good musicians sort of pretending to play badly. That was just so stupid, and missed the point completely, I thought. So it was the people who were true to themselves, I think, that were the exciting ones.

“I have always been accused of taking the things I love - football, of course, but also books and records - much too seriously, and I do feel a kind of anger when I hear a bad record, or when someone is lukewarm about a book that means a lot to me.”

Nick Hornby Fever Pitch

Source: Fever Pitch

“Punk is like looking at a mirror. I already have a mirror so I don't need the Offspring to remind me how gorgeous I am.”

John Lydon (1956) English singer, songwriter, and musician

The Jimmy Kimmel Show (4th September 2003)

“I think," Tehanu said in her soft, strange voice, "that I when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I lived, the breath I breathed.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, The Other Wind (2001), Chapter 5, “Rejoining” (p. 286)

“The truth is, sex doesn't mean that much to me now. It never did, really. It was romance I wanted, kisses and candlelight, that sort of thing. I never did dig sex very much.”

Lana Turner (1921–1995) American actress

Quoted in Life https://books.google.com/books?id=77cRAQAAMAAJ&q=The+truth+is,+sex+doesn't+mean+that+much+to+me+now.+It+never+did,+really.+It+was+romance+I+wanted,+kisses+and+candlelight,+that+sort+of+thing.+I+never+did+dig+sex+very+much.&dq=The+truth+is,+sex+doesn't+mean+that+much+to+me+now.+It+never+did,+really.+It+was+romance+I+wanted,+kisses+and+candlelight,+that+sort+of+thing.+I+never+did+dig+sex+very+much.&hl=en&sa=X&ved=0ahUKEwiO79P49ObSAhXIdSYKHQmSBYsQ6AEIGjAA, vol. 7 (1984), p. xxiv.
On her marriages

“I haven't found it difficult because I find this very enjoyable. It's really challenging. And I'm really proud of the record because it's a really good record. There's nothing harder than to write a pop record with meaning. I think it's much easier to be alternative. It's much easier to be different and take a different path outside of a commercial context. To try and write a pop song that is not cliché, to try and write a pop song that has meaning and fits in under three minutes and five seconds and has a hook that people want to listen to is the most difficult thing in the world to do. So in lieu of that you have to write what you know and what you like, what you're feeling. That's all I can basically do. I don't begrudge the other people that don't write their songs. And I don't judge them. I'd like to see more people writing their own songs, because that's just personally what I like. Just for me, as an artist, so many people only care about being popular right now. Whatever happened to trying to write a song that means something? When I was growing up, artists meant something. They had opinions, they looked different than the person working at the store on your street. They opened your eyes and taught you something about life. And I would like to aspire to be that kind of artist.”

Colleen Fitzpatrick (1972) American singer and actress

When asked about writing her own music
Attributed

“Your letter became before I was up this morning – Yes nice to get. I recognize two of the drawings you speak of – Number one is the first of the dozen or more you speak of – number 2 came next The last – It didn't quite satisfy me so I tried again – the last one was so much worse than the one you like that I thought I had just about worn the idea out so quit... You ask me what I did with the rest of myself when I made number 2 -... I sat up almost all night one night this week and made the most infernally ugly little shape you ever saw – I wanted to break it when I got through – but didn't then next afternoon when I had time to look at it, it amused me so that I didn't – really its laughable – it's so ugly – and still some way it's quite beautiful – I don't know – I may break it up – or I may try to cast it just for fun – I have another idea that I'm in an awful stew to model – I am going to get a lot of patience so I can make all the little do-dangles I want to and won't have to break one up so I can make another – I want to make a big one..”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas, (September, 1916), p. 198
1915 - 1920, Letters to Anita Pollitzer' (1916)

“I don't really care what people think of me. Whatever anyone may say, I've helped the whole art world, just as Picasso and Dalí have. I've made people aware of painting, which makes them buy more, just like they go buy more records and books once they're exposed.”

Walter Keane (1915–2000) American plagiarist

Page 48.
1965, Cited by Jane Howard

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