“There were various kinds of direct action in the nineteen-sixties: the Civil Rights movement, in which minorities realized that nobody would do anything for them, that they had to do things for themselves; the women's movement, in which women realized they themselves had to do something about their rights; the environmental movement; and other social movements. The point is that people could not get what they wanted through the system — they had to get it directly. It is no wonder that what began as an idealistic concern for those who were deprived of their rights led to a great deal of selfishness by those who were not deprived. And here lies the affinity between the radicalism of the nineteen-sixties and the conservatism of the nineteen-eighties. Both grew from the same soil: They are different responses to the same problem.”

— Charles A. Reich

The Liberals' Mistake (1987)

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Charles A. Reich 55

American lawyer 1928–2019

Lucy R. Lippard (1937) American art curator

Source: Six Years: The Dematerialization of the Art Object from 1966 to 1972 (1973), p. vii.

“Some say 'the women’s movement is all about older women,' but this is a movement about younger women asserting their rights that women before them fought for and won.”

Gloria Allred (1941) American civil rights lawyer

December 6, 2014, Gloria Allred: The Battle Over Sexual Assault is the ‘Civil Rights Movement of Our Time’, May 15, 2014, Time magazine, Gloria Allred http://time.com/100055/campus-sexual-assault-gloria-allred/,

“Personally, I do not need a movement. What was given to me, I take for granted. Of all movements, I like Cubism most. It had that wonderful unsure atmosphere of reflection - a poetic frame where something could be possible, where an artist could practise [sic] his intuition. It didn't want to get rid of what went before. Instead it added something to it. The parts that I can appreciate in other [art] movements came out of Cubism. Cubism became a movement, it didn't set out to be one. It has force in it, but it was no 'force-movement.' And then there is that one-man movement, Marcel Duchamp - for me a truly modern movement because it implies that each artist can do what he thinks he ought to - a movement for each person and open for everybody.”

Willem de Kooning (1904–1997) Dutch painter

De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's

“Feminist emphasis on "common oppression" in the United States was less a strategy for politicization than an appropriation by conservative and liberal women of a radical political white women were able to make their interests the primary focus of feminist movement and employ a rhetoric of commonality that made their condition synonymous with "oppression." Who was there to demand a change in vocabulary? What other group of women in the United States had the same access to universities, publishing houses, mass media, money? Had middle class black women begun a movement in which they had labeled themselves "oppressed," no one would have taken them seriously. Had they established public forums and given speeches about their "oppression," they would have been criticized and attacked from all sides. This was not the case with white bourgeois feminists for they could appeal to a large audience of women, like themselves, who were eager to change their lot in life. Their isolation from women of other class and race groups provided no immediate comparative base by which to test their assumptions of common oppression.”

Bell Hooks book Feminist Theory: From Margin to Center

Source: Feminist Theory: From Margin to Center (1984), Chapter 1: Black Women: Shaping Feminist Theory, p. 6.

“The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature.”

Isadora Duncan (1877–1927) American dancer and choreographer

Source: The Art of the Dance (1928), p. 54.
Context: The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.

“Nobody tries to diminish the Civil Rights movement by saying they were middle class.”

Gloria Steinem (1934) American feminist and journalist

The Humanist interview (2012)
Context: If you think about Martin Luther King and others in the leadership of the Civil Rights movement, they were all college-educated, middle class people. Nobody tries to diminish the Civil Rights movement by saying they were middle class.
It’s true that the National Organization for Women in its early years was white middle class. But once it was joined by younger women from civil rights groups like SNCC (Student Nonviolent Coordinating Committee) it changed profoundly. In any case, my life’s ambition is to make white women as smart as black women. Because the group of women who still vote against their own self-interest are white married women.

“I think the movement contributed to this nation a sense of universal freedom. Precisely because women saw our movement in the sixties, stimulated them to want their rights. The fact that students saw the movement of the sixties created a student movement in this country. The fact that the people were against the war in Vietnam, saw us go into the street and win, made it possible for them to have the courage to go into the street and win, and the lesson that I would like to see from this is, that we must now find a way to deal with the problem of full employment, and as surely as we were able to bring about the Civil Rights Act, the voter rights act--the Voting Rights Act, I mean the education act, and the housing act, so is it possible for all of us now to combine our forces in a coalition, including Catholic, Protestant, Jew and labor and blacks and Puerto Ricans and Mexican-Americans and all other minorities, to bring about the one thing that will bring peace internally to the United States. And that is that any man who wants a job, or any woman who wants a job, shall not be left unemployed.”

Bayard Rustin (1912–1987) American civil rights activist and gay rights activist

Eyes on the Prize interview http://digital.wustl.edu/cgi/t/text/text-idx?c=eop;cc=eop;rgn=main;view=text;idno=rus0015.0145.091, Interview with Bayard Rustin, conducted by Blackside, Inc. in 1979, for Eyes on the Prize: America's Civil Rights Years (1954-1965). Washington University Libraries, Film and Media Archive, Henry Hampton Collection. (1979)

“[SEWA] have been doing many different things, leading the SEWA movement which is about economic freedom for the poor, women, and self employed.”

Ela Bhatt (1933) founder of the Self-Employed Women's Association of India (SEWA)

Discussion with Ela Bhatt, Founder, Self-Employed Women's Association (SEWA)

“You realize that there's no point in doing anything if nobody's watching.
You wonder, if there had been a low turnout at the crucifixion, would they have rescheduled?”

Chuck Palahniuk book Survivor

Source: Survivor

“The extremists in his movement had discredited themselves thoroughly, and it would be a long time before the world heard of them again.”

Arthur C. Clarke (1917–2008) British science fiction writer, science writer, inventor, undersea explorer, and television series host

Guardian Angel, p. 220
2000s and posthumous publications, The Collected Stories of Arthur C. Clarke (2001)

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Charles A. Reich 55

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