“If the film language and sensibility are not integrated somewhere in the narrative, then they are inconsequential, separate. And if you have one point of view, one aesthetic, one sensibility throughout everything you do, and you don't let people sway you away from that, especially your cinematographer, then the film develops a soul.”

—  Vincent Gallo

Filmmaker Magazine Interview

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "If the film language and sensibility are not integrated somewhere in the narrative, then they are inconsequential, sepa…" by Vincent Gallo?
Vincent Gallo photo
Vincent Gallo 34
American film director, writer, model, actor and musician 1961

Related quotes

Ethan Hawke photo

“One of the most difficult aspects of being an actor is trying to find the right work. Work that speaks to an audience, that you enjoy doing and that is reflective of your artistic sensibility. To be a contemporary movie actor, you have to kill people - that's basically it. If you don't cock'n'load'n'fire a Smith&Wesson at some point in your film career, you're not going to have a film career. There just aren't enough movies that I like to keep me working in movies all the time. Well, let me rephrase that: there aren't enough available parts.”

Ethan Hawke (1970) American actor and writer

The Guardian http://www.guardian.co.uk/stage/2009/may/16/ethan-hawke-cherry-orchard-old-vic-mendes (2009-05-16)
2005–2009

Martin Amis photo

“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

Martin Amis (1949) Welsh novelist

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

“Feelings aren't sensible. Sometimes you fall in love with people who don't make sense. And the ones who do make sense turn out to be the wrong ones.”

Danielle Steel book Legacy

Source: Legacy

“One thing I learned is that cinematography is not something you do by yourself. It’s a group [project]. You need to develop your own vision, but the key to a successful film is communication with your director and your team.”

Halyna Hutchins (1979–2021) Ukrainian-American cinematographer and investigative journalist

Source: Rising Stars of Cinematography (2019)

“So from there on I made all their science fiction films, and the more I did of these films the more I liked it because the studio left me alone. No one at that time was an expert at making sf films so I claimed to be one. I wasn't, of course, but the studio didn't know that so they never argued with me, no matter what I did. In most of my sf films I tried to create an atmosphere because I think if you shoot an imaginative film--a film in which you ask an audience to believe things that are bizarre--you have to make them believe it. You can't do this with the story or actors alone, you have to create a kind of atmosphere while shooting it in which the audience's credibility will be suspended to the point where they don't say to themselves: "That's impossible!"”

Jack Arnold (director)

Jack Arnold in The Horror People http://eric.b.olsen.tripod.com/arnold.html (1976)

Dylan Moran photo

“You hear people in restaurants competing with each other "I love you". "No, I love you". "Yeah, but I REALLY love you. I love pencils that you have sucked and thrown away ten years ago. I love your eyebrows and your ancestry and EVERYTHING ABOUT YOU! Just eat your food and let me love you, don't speak!" But what they don’t know, of course, at the time is that that dialogue is actually from a really bad science fiction film written by nature - really, what they're saying to one another is: "The race must continue, the race must continue! My vadudium is pointing at your phenungulator, the race must continue!"”

Dylan Moran (1971) Irish actor and comedian

Like, Totally (2006)

Luise Rainer photo

“I was never proud of anything. I just did it like everything else. To do a film - let me explain to you - it's like having a baby. You labor, you labor, you labor, and then you have it. And then it grows up and it grows away from you. But to be proud of giving birth to a baby? Proud? No, every cow can do that.”

Luise Rainer (1910–2014) German-born Austrian and American film actress

Spartacus Schoolnet biography http://www.spartacus.schoolnet.co.uk/USArainer.htm

Robert Smith (musician) photo

“What we do attracts to a certain type of people. I don't think age has anything to do with it: either you get into it or you don't. You can be 16 or 60 and you will like us or not depending on your sensibilities.”

Robert Smith (musician) (1959) English singer, songwriter and musician

X-Press Magazine, Australia, September 2000

“You sure you don't need your Prince Charming to come and save you?
Sure, do you have one handy?
Oh, I think I could scrounge one up somewhere. As often as I have to rescue you.”

Ilona Andrews American husband-and-wife novelist duo

Variant: You sure you don't need your Prince Charming to come and save you?"
The knot in my stomach evaporated. My Prince Charming huh. "Sure, do you have one handy?
Source: Magic Slays

“You are as young as you feel. If you begin to feel the warmth of your soul, there will be a youthfulness in you that no one will be able to take away from you.”

John O'Donohue (1956–2008) Irish writer, priest and philosopher

Source: Anam Cara: A Book of Celtic Wisdom

Related topics