“Equilibrium requires that the whole of the structure, the form of its elements, and the means of interconnection be so combined that at the supports there will automatically be produced passive forces or reactions that are able to balance the forces acting upon the structures, including the force of its own weight.”
p, 125
Philosophy of Structures (1958)
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Eduardo Torroja 29
Spanish architect 1899–1961Related quotes

Session 410, Page 284
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 8

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Context: Fortunately, there is a sane equilibrium in the character of nations, as there is in that of men. The force of passion is balanced by the force of interest. An insatiable appetite for glory leads to sacrifice and death, but innate instinct leads to self-preservation and life. A nation that neglects either of these forces perishes. They must be steered together, like a pair of carriage horses.
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Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 19.

By The River Piedra I Sat Down and Wept (1994)
Source: By the River Piedra I Sat Down and Wept
Context: Love is much like a dam: if you allow a tiny crack to form through which only a trickle of water can pass, that trickle will quickly bring down the whole structure, and soon no one will be able to control the force of the current. For when those walls come down, then love takes over, and it no longer matters what is possible or impossible; it doesn't even matter whether we can keep the loved one at our side. To love is to lose control.

"The Prevention of Literature" (1946)
Context: Totalitarianism, however, does not so much promise an age of faith as an age of schizophrenia. A society becomes totalitarian when its structure becomes flagrantly artificial: that is, when its ruling class has lost its function but succeeds in clinging to power by force or fraud. Such a society, no matter how long it persists, can never afford to become either tolerant or intellectually stable. It can never permit either the truthful recording of facts or the emotional sincerity that literary creation demands. But to be corrupted by totalitarianism one does not have to live in a totalitarian country. The mere prevalence of certain ideas can spread a kind of poison that makes one subject after another impossible for literary purposes. Wherever there is an enforced orthodoxy — or even two orthodoxies, as often happens — good writing stops. This was well illustrated by the Spanish civil war. To many English intellectuals the war was a deeply moving experience, but not an experience about which they could write sincerely. There were only two things that you were allowed to say, and both of them were palpable lies: as a result, the war produced acres of print but almost nothing worth reading.