
To Leon Goldensohn, February 9, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History -
Wir werden die Arbeitslosigkeit und die Zahl der in Deutschland lebenden Ausländer um die Hälfte reduzieren.
Taz (June 10, 1998), during the 1982 election campaign
Wir werden die Arbeitslosigkeit und die Zahl der in Deutschland lebenden Ausländer um die Hälfte reduzieren.
im Wahlkampf um die Kanzlerschaft 1982/83, Quelle: taz vom 10. Juni 1998
To Leon Goldensohn, February 9, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History -
Cited in The AFL-CIO American Federationist, Vols. 84-86 (1977), p. 4.
December 5, 2014, LAPD Chief Charlie Beck earns good reviews; tough challenges lie ahead, Los Angeles Daily News, August 9, 2014, Brenda Gazzar http://www.dailynews.com/government-and-politics/20140809/lapd-chief-charlie-beck-earns-good-reviews-tough-challenges-lie-ahead,
About
Source: The Autobiography of G.K. Chesterton http://books.google.com/books?id=9_m6AAAAIAAJ&q=%22Half+the+trouble+about+the+modern+man+is+that+he+is+educated+to+understand+foreign+languages+and+misunderstand+foreigners%22&pg=PA322#v=onepage (1936)
Quote in his letter to Herwarth Walden [of 'der Sturm'], August 2, 1914; as cited by lrike Becks-Malorny, in Wassily Kandinsky, 1866–1944: The Journey to Abstraction [Cologne: Taschen, 1999], p. 115
because of the outbreak of World War 1. Kandinsky had to leave Germany because of his Russian nationality
1910 - 1915
Attributed to Ben-Gurion (pre-War 1939) by Martin Gilbert in "Israel was everything" in The New York Times (21 June 1987) http://query.nytimes.com/gst/fullpage.html?res=9B0DE2DB1539F932A15755C0A961948260&pagewanted=2
Last words, 10/16/46, quoted in "The Mammoth Book of Eyewitness World War II" - Page 565 - by Jon E. Lewis - History - 2002
“Poetry is foreign to us, we do not let it enter our daily lives.”
The Life of Poetry (1949)
Context: Poetry is not; or seems not to be. But it appears that among the great conflicts of this culture, the conflict in our attitude toward poetry stands clearly lit. There are no guards built up to hide it. We call see its expression, and we can see its effects upon us. We can see our own conflict and our own resource if we look, now, at this art, which has been made of all the arts the one least acceptable.
Anyone dealing with poetry and the love of poetry must deal, then, with the hatred of poetry, and perhaps even Ignore with the indifference which is driven toward the center. It comes through as boredom, as name-calling, as the traditional attitude of the last hundred years which has chalked in the portrait of the poet as he is known to this society, which, as Herbert Read says, "does not challenge poetry in principle it merely treats it with ignorance, indifference and unconscious cruelty."
Poetry is foreign to us, we do not let it enter our daily lives.