“It is true that the environment does have an influence but what has much greater effect on the artist is love or hatred. He uses his setting to express these things.”

Source: 1920s, "Picasso Speaks" (1923), p. 391.

Text for the 'Old Sarum', print in 'English Landscape' 1835/36, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 380
1830s

Source: The Roving Mind (1983), Ch. 25
Context: How often people speak of art and science as though they were two entirely different things, with no interconnection. An artist is emotional, they think, and uses only his intuition; he sees all at once and has no need of reason. A scientist is cold, they think, and uses only his reason; he argues carefully step by step, and needs no imagination. That is all wrong. The true artist is quite rational as well as imaginative and knows what he is doing; if he does not, his art suffers. The true scientist is quite imaginative as well as rational, and sometimes leaps to solutions where reason can follow only slowly; if he does not, his science suffers.

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 90

Job: A Comedy of Justice (1984)
Context: Time is never a problem on the God level. Or space. Whatever needed to deceive you was provided. But no more than that. That is the conservative principle in art at the God level. While I can't do it, not being at that level, I have seen a lot of it done. A skillful Artist in shapes and appearances does no more than necessary to create His effect.

Page 168
The Doors of Perception (1954)

Source: undated quotes, Renoir – his life and work, 1975, p. 178 ; Renoir's remark to Vollard, criticizing the so-called 'new' discoveries by Impressionism.

Source: Speech Acts: An Essay in the Philosophy of Language (1969), P. 45.