Source: The Romantic Generation (1995), Ch. 1 : Music and Sound
“There are certain devices that one uses in Romantic music that are appropriate only for Romantic or subsequent music. If you take those devices and apply them to earlier music, then it’s totally inappropriate, and it makes the Classical music sound silly. However, if you were to use what you might call ‘Classical devices’ on Romantic music, historically, that would be correct! It very often benefits Romantic music, which is sometimes rather disjunctive, rather shapeless in comparison with Classical symphonic or sonata form. Romantic music very often benefits from that tighter organization that you get from Classical music.”
Interview with pianist Leon Fleisher http://www.examiner.com/article/interview-with-pianist-leon-fleisher by Elijah Ho (October 1, 2014)
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Leon Fleisher 4
American conductor and pianist 1928Related quotes
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“It is above all through landscape that music joins Romantic art and literature.”
Source: The Romantic Generation (1995), Ch. 3 : Mountains and Song Cycles
Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 6. German and Western Romanticism

'Pierre Monteux in his own words', Classic Record Collector, Autumn 2003, Number 34, p. 18

“The peculiar characteristic of classical music is that it is really better than it sounds.”
A stand-up line quoted in 1888.
Attributed
Variant: Wagner's music is better than it sounds (attested in an obituary; see The Quote Verifier)

H. E. Butler's translation:
Indeed nature itself seems to have given music as a boon to men to lighten the strain of labour: even the rower in the galleys is cheered to effort by song. Nor is this function of music confined to cases where the efforts of a number are given union by the sound of some sweet voice that sets the tune, but even solitary workers find solace at their toil in artless song.
Book I, Chapter X, 16
De Institutione Oratoria (c. 95 AD)
Original: (la) Atque eam natura ipsa videtur ad tolerandos facilius labores velut muneri nobis dedisse, si quidem et remigem cantus hortatur; nec solum in iis operibus in quibus plurium conatus praeeunte aliqua iucunda voce conspirat, sed etiam singulorum fatigatio quamlibet se rudi modulatione solatur.