
Quoted by Frederic Prokosch in Voices: A Memoir (1983)
Preface
Spinoza's Critique of Religion (1965)
Quoted by Frederic Prokosch in Voices: A Memoir (1983)
Source: The Cambridge Companion to Newton, 2002, p. 1
Georg Wilhelm Friedrich Hegel, Lectures on the Philosophy of History Vol 3 1837 translated by ES Haldane and Francis H. Simson) first translated 1896 p. 410-411
Lectures on the Philosophy of History (1832), Volume 3
Context: In connection with Kant we must here begin by speaking of Jacobi, whose philosophy is contemporaneous with that of Kant; in both of these the advance beyond the preceding period is very evident. The result in the two cases is much the same, although both the starting point and the method of progression are somewhat different. In Jacobi's case the stimulus was given mainly by French philosophy, with which he was very conversant, and also by German metaphysics, while Kant began rather from the English side, that is, from the skepticism of Hume. Jacobi, in that negative attitude which he preserved as well as Kant, kept before him the objective aspect of the method of knowledge, and specially considered it, for he declared knowledge to be in its content incapable of recognizing the Absolute: the truth must be concrete, present, but not finite. Kant does not consider the content, but took the view of knowledge being subjective; and for this reason he declared it to be incapable of recognizing absolute existence. To Kant knowledge is thus a knowledge of phenomena only, not because the categories are merely limited and finite, but because they are subjective. To Jacobi, on the other hand, the chief point is that the categories are not merely subjective, but that they themselves are conditioned. This is an essential difference between the two points of view, even if they both arrive at the same result.
“I am a deeply religious nonbeliever. This is a somewhat new kind of religion.”
“For Spinoza, philosophy originates in the very personal… feeling of emptiness”
Context: For Spinoza, philosophy originates in the very personal... feeling of emptiness that in the philosophical tradition has earned the distinguished name of contemptu mundi, the contempt for worldly things, or, better, vanitas.... Spinoza says that... success in life is just a postponement of failure;... pleasure is just a fleeting respite from pain; and... the objects of our striving are vain illusions....
The feeling of vanitas Spinoza describes is... a dire encounter with the prospect of descent into absolute nothingness, a life without significance coming to a meaningless end.... The experience Spinoza records... establishes... the moment of extreme doubt, fear, and uncertainty that precedes the dawn of revelation.... the journey... is one trodden by poets, philosophers, and theologians too numerous to mention, who for millennia have recorded this feeling that life is a useless passion, a wheel of ceaseless striving, a tale told by an idiot, full of sound and fury, signifying nothing, and so on.<!--pp. 55-56
Matthew Stewart, The Courtier and the Heretic (2006)
Vague Thoughts On Art (1911)
Context: I cannot help thinking that historians, looking back from the far future, will record this age as the Third Renaissance. We who are lost in it, working or looking on, can neither tell what we are doing, nor where standing; but we cannot help observing, that, just as in the Greek Renaissance, worn-out Pagan orthodoxy was penetrated by new philosophy; just as in the Italian Renaissance, Pagan philosophy, reasserting itself, fertilised again an already too inbred Christian creed; so now Orthodoxy fertilised by Science is producing a fresh and fuller conception of life — a love of Perfection, not for hope of reward, not for fear of punishment, but for Perfection's sake. Slowly, under our feet, beneath our consciousness, is forming that new philosophy, and it is in times of new philosophies that Art, itself in essence always a discovery, must flourish. Those whose sacred suns and moons are ever in the past, tell us that our Art is going to the dogs; and it is, indeed, true that we are in confusion! The waters are broken, and every nerve and sinew of the artist is strained to discover his own safety. It is an age of stir and change, a season of new wine and old bottles. Yet, assuredly, in spite of breakages and waste, a wine worth the drinking is all the time being made.
“Kant's critical philosophy is the most elaborate fit of panic in the history of the Earth.”
Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 1: "The death of sound philosophy", p. 1
Georg Wilhelm Friedrich Hegel, Encyclopedia of Philosophical Sciences: The Logic
G - L, Georg Wilhelm Friedrich Hegel
The Aquarian Conspiracy (1980), Chapter Six, Liberating Knowledge: News from the Frontiers of Science