“One day, as I was roaming the mountains, I sought shelter from an approaching storm. The sky became overhung with heavy clouds, but somehow the rain was delayed until, all of a sudden, there was a lightening flash and a few moments after, a deluge. This observation set me thinking. It was manifest that the two phenomena were closely related, as cause and effect, and a little reflection led me to the conclusion that the electrical energy involved in the precipitation of the water was inconsiderable, the function of the lightening being much like that of a sensitive trigger. Here was a stupendous possibility of achievement. If we could produce electric effects of the required quality, this whole planet and the conditions of existence on it could be transformed. The sun raises the water of the oceans and winds drive it to distant regions where it remains in a state of most delicate balance. If it were in our power to upset it when and wherever desired, this might life sustaining stream could be at will controlled. We could irrigate arid deserts, create lakes and rivers, and provide motive power in unlimited amounts. This would be the most efficient way of harnessing the sun to the uses of man. The consummation depended on our ability to develop electric forces of the order of those in nature.”

Inscription: 12 September, 1821, written on the back of 'Hampstead Heath, Sun setting over Harrow,' his sketch in oil on paper; as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London. 1993), p. 221
1820s

292
Source: Stray Birds (1916)

New Scientist interview (2004)
Context: There is nothing more to this than a simple iterative formula. It is so simple that most children can program their home computers to produce the Mandelbrot set. … Its astounding complication was completely out of proportion with what I was expecting. Here is the curious thing: the first night I saw the set, it was just wild. The second night, I became used to it. After a few nights, I became familiar with it. It was as if somehow I had seen it before. Of course I hadn't. No one had seen it. No one had described it. The fact that a certain aspect of its mathematical nature remains mysterious, despite hundreds of brilliant people working on it, is the icing on the cake to me.

Source: The Blind Assassin

Matilda (1819)
Context: My greatest pleasure was the enjoyment of a serene sky amidst these verdant woods: yet I loved all the changes of Nature; and rain, and storm, and the beautiful clouds of heaven brought their delights with them. When rocked by the waves of the lake my spirits rose in triumph as a horseman feels with pride the motions of his high fed steed.
But my pleasures arose from the contemplation of nature alone, I had no companion: my warm affections finding no return from any other human heart were forced to run waste on inanimate objects.

[NewsBank, 03I, Science Guy Wants You to Ask, 'Why?', The Columbus Dispatch, Ohio, October 24, 2001, Connie A. Higgins]

Source: Suite Française

As quoted in "Man Beyond Man : The Early Stories of A.E. van Vogt" http://www.panshin.com/articles/vanvogt/vanvogt1.html by Alexei Panshin in The Abyss of Wonder