“The question of what is good acting has got to be paramount in order to keep developing. If you cease to think about it, you cease to develop. There's the showy style and the acting that doesn't look like acting. I go for the latter.”

— Timothy Dalton

On acting. [Several Interviews with Timothy Dalton on his 007 portrayal, including ‘Licence to Act: Timothy Dalton Uses James Bond To Get What He Wants’ by Marshall Fine, taken from ‘Lifestyle’ magazine, 11 July 1989., http://www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm, http://web.archive.org/20000304095759/www.geocities.com/Hollywood/Film/7518/Bond_Eng/Bond_Eng.htm, 2000-03-04].
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Timothy Dalton8

British actor of stage, film and television 1944

Carlos Castaneda book The Wheel of Time

Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from A Separate Reality (Chapter 6)

“The wonderful part of acting of acting is you don't know what your playmate is going to be offering as that obstacle, and that's the surprising part, that's the magical part, so it's like a game of tennis, you don't know what's going to be thrown at you, you've got to be on you toes.”

Joy Tanner (1966) American actress

Source: https://en.wikiquote.org/wiki/Joy_Tanner

“You know how a play in dialect is. At the first act, you think, “How quaint!”; at the second act, you wish they would either stop using dialect or keep quiet; and at the third act, you wish you hadn’t come. And Tillie, may I mention in passing, has four acts. p. 64”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919

“You must make, always. You must act, if you believe something. Talking about acting is like boasting about pictures you're going to paint. The most terrible bad form.”

John Fowles book The Collector

Source: The Collector

“I know that if I'd had to go and take an exam for acting, I wouldn't have got anywhere. You don't take exams for acting, you take your courage.”

Edith Evans (1888–1976) British actress

Speech to the annual actors' Equity meeting (1951)

“If I cease searching, then, woe is me, I am lost. That is how I look at it - keep going, keep going come what may.”

Vincent Van Gogh book The Letters of Vincent van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)
Source: The Letters of Vincent van Gogh
Context: I must continue to follow the path I take now. If I do nothing, if I study nothing, if I cease searching, then, woe is me, I am lost. That is how I look at it — keep going, keep going come what may.
But what is your final goal, you may ask. That goal will become clearer, will emerge slowly but surely, much as the rough draught turns into a sketch, and the sketch into a painting through the serious work done on it, through the elaboration of the original vague idea and through the consolidation of the first fleeting and passing thought.

“If you act like you've only got fifteen minutes, it will take all day. Act like you've got all day, it will take fifteen minutes.”

Monty Roberts (1935) Horse trainer

“Most Americans, in their sweet innocence, think that class has to do with money. But a glance at Donald Trump and Leona Helmsley will indicate that it has very little to do with money. It has to do with taste and style, and it has to do with the development of those features by acts of character.”

Paul Fussell (1924–2012) Recipient of the Purple Heart medal

Humanities interview (1996)
Context: Most Americans, in their sweet innocence, think that class has to do with money. But a glance at Donald Trump and Leona Helmsley will indicate that it has very little to do with money. It has to do with taste and style, and it has to do with the development of those features by acts of character. That was one of my points: to try to separate class from mercantilism or commercialism.

“I believe you have to start with a craft; you don’t just start with a dream. You’ve got to put a lot of work in. If you want to pursue acting, then you go to acting class. If you want to be a dancer, then you learn to dance, which is what I did. If you want to be a ventriloquist or join the circus … When you’re young, you start looking at what you want to do—not just who you want to be, but what you want to do. And I think the tenacity to say, “I’m going to perfect that,” is the beginning of a work ethic...”

Goldie Hawn (1945) American actress, film director, and producer.

On how success is earned in “GOLDIE HAWN” https://www.interviewmagazine.com/film/goldie-hawn in Interview Magazine (2017 Apr 25)

“When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. or wonder who, after all, you are.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, The Farthest Shore (1972), Chapter 3, "Hort Town" (Ged)

“The question of what is good acting has got to be paramount in order to keep developing. If you cease to think about it, you cease to develop. There's the showy style and the acting that doesn't look like acting. I go for the latter.”

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